MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Don't Stop -: About a cut

YOU KNOW SOMEONE’S BEEN THINKING when they manage to come up with a simple cut that surpasses anything you could do with the image itself, and with the inspired final scene of “The Sopranos,” is David Chase really the first person use Journey’s “Don’t Stop Believin'” to create a parallel to Samuel Beckett’s novel, “The Unnameable”? Don't Stop.jpg(“Where I am, I don’t know, I’ll never know, in the silence you don’t know, you must go on, I can’t go on, I’ll go on.”) Heady stuff. I don’t get the television critics who are wailing this morning, like Mary McNamara in the L.A. Times and Charlie McCollum of the Mercury News. At least Heather Havrilesky, as you’d expect, has her shit together, in the best read I’ve seen, over at Salon. “Just like the rest of us. Going to hell in a red leather booth, with Journey playing in the background.” Not quite “And so we beat on, boats against the current, borne back ceaselessly into the past,” but fine nonetheless.


unnameable.jpg

Comments are closed.

Movie City Indie

Quote Unquotesee all »

What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris