MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Don't Stop -: About a cut

YOU KNOW SOMEONE’S BEEN THINKING when they manage to come up with a simple cut that surpasses anything you could do with the image itself, and with the inspired final scene of “The Sopranos,” is David Chase really the first person use Journey’s “Don’t Stop Believin'” to create a parallel to Samuel Beckett’s novel, “The Unnameable”? Don't Stop.jpg(“Where I am, I don’t know, I’ll never know, in the silence you don’t know, you must go on, I can’t go on, I’ll go on.”) Heady stuff. I don’t get the television critics who are wailing this morning, like Mary McNamara in the L.A. Times and Charlie McCollum of the Mercury News. At least Heather Havrilesky, as you’d expect, has her shit together, in the best read I’ve seen, over at Salon. “Just like the rest of us. Going to hell in a red leather booth, with Journey playing in the background.” Not quite “And so we beat on, boats against the current, borne back ceaselessly into the past,” but fine nonetheless.


unnameable.jpg

Comments are closed.

Movie City Indie

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch