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By Ray Pride Pride@moviecitynews.com

Overlord's Stuart Cooper's 10 Criterion Collection raves

overlord_02.jpgDoes the man dream the machine or the machine dream the man? American-born director Stuart Cooper’s epic, stoic, willfully peculiar Overlord (1975) is a hybrid of fiction and fact, of the Futurist and the post-modern, tracking the preparations of one supremely ordinary 20-year-old soldier, Tom Beddow (Brian Stirner), one Tom among tummies, as he trains to become part of Operation Overlord, or D-Day. More soon about the DVD edition, but for now, in an ongoing Criterion Collection tradition, Cooper offers 10 personal Criterion favorites. One fave among the raves: “The Battle of Algiers, for its originality, objectivity, and political power. I studied it while I was preparing Overlord. I admired a quote of Pontecorvo’s: “Technically U.S. directors keep improving. But this technical expertise hides an emptiness that keeps getting bigger. They’re very good at saying nothing.”

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