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Ray Pride

By Ray Pride Pride@moviecitynews.com

[LOOK] A close-up of the human face: Jessica Lynch



Again, simplicity itself: a C-SPAN single position shot, medium-close on the human face. Jessica Lynch, a working class woman who joined the Army to gain the opportunities for an education that would allow her to make a career teaching children somewhere near her hometown Palestine, West Virginia, who was injured in battle in Iraq in 2003, the details of whose capture was fabricated by person or persons in the Department of Defense. I can hardly get past the first few seconds: that shy smile after she repositions the microphone in front of her is devastating. An all-American face. An all-American hero. It’s good she’s alive.

2 Responses to “[LOOK] A close-up of the human face: Jessica Lynch”

  1. James Ponsoldt says:

    Incredibly moving. Refreshing to hear an honest, unadorned account from someone who never asked to be labelled a “hero,” but who no doubt knows infinitely more about the meaning–and the ethical complexities–of the term than an entire battalion of FOX news “reporters” that relished the opportunity to quickly slap the label on her (hey, guess it pays the bills). Thank you for posting this.

  2. So…Witherspoon or Swank for the inevitable movie?

Movie City Indie

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch