

Keil S. on: Don Draper: Critic
Joe Leydon on: Don Draper: Critic
Keil S. on: Don Draper: Critic
christian on: Don Draper: Critic
movieman on: Don Draper: Critic
movieman on: Don Draper: Critic
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Foamy Squirrel on: Don Draper: Critic
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Trailer: The Wolf of Wall Street
Weekend Estimates by Man of Klady
DP/30: My Day In Video from Michael Cera to Costa-Gravas
Review: Man of Steel (spoilers)
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

???
Wow, that’s….? Buy a mirror for chrissakes!
Nice lighting Dave, what pit of hell was that shot in?
Does Monaghan remind anyone else of Kevin Smith?
What was up with the retarded “factoids”? Like the POTC best visual effects win, announcer talking about how the guy was thinking about another profession because a hurricane hit during production. Sure, visual effects includes stuff on set, but first thing that comes to mind is people in front of computers in post production. Just a dumbass piece of trivia.
And if you ask me, the lowpoint of all these awards shows is the animated characters on stage/in audience. Always seems forced and rarely amusing.
???
Everyone at least were interested in the Barry Lyndon bit.
you cut off Monaghan’s tribute to Lawrence/Otoole, you big dummy. [I apologize if it were accidental.] You looked fairly unresponsive or unsurprised Dave. Couldn;t you at least say “oh hell no” for wins you were unhappy about, or “Yes! there is a God!” for wins you were happy with? You need a hip flask.
From the way you edited it, it almost appeared as though Gwynneth borrowed Nicole’s “wig” I mean hair (you know what I mean). Eerie.
I sure dug being able to see George Miller’s and Robert Downey jr’s hair again.
i had a beagle growing up, he was my best pal. We used to watch the Three Stooges together (and he Really watched them too).
What the…! At least make some comment instead of just nodding your head, man. Worst. David. Video. Ever.
Dave the film-maker is true to his words – ‘I have no problem with films that don’t have conventional act structure’.