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Ray Pride

By Ray Pride Pride@moviecitynews.com

King of the movie world: profiling Departed's producer

The Observer’s Craig McLean takes the measure of “the biggest Brit in Hollywood” and apparently it’s not Sacha Baron Cohen. “I’m a film producer. How do you define a film producer? Wow… my job is to find screenplays, unclejackie_58.jpgbooks, articles, and develop those into shooting scripts. Hire the actors, the director – sometimes even finance the movies,” Graham King says. “He’s involved all the way through overseeing the day-to-day running of the shoot of the film, overseeing the post-production, the release of the movie, the marketing campaigns, trailers. ‘And trying to get the talent to do publicity, which is never easy. So really my job is, from start to finish – everything.’ … Scorsese says that King is different from other producers, insofar as his presence during filming is less about keeping a fidgety, money man’s eye on budgets and schedules. ‘I find him a comforting figure on the set,’ says the director. ‘Unlike some people in the past, who were alarming.'” [Much more at the link, including this promise: “‘I would love to make a movie that Marty would star in. He’s been in movies, and he did the voice in Shark Tale. But I think he’s just a personality all of his own. When you travel with him he gets so much recognition everywhere he goes. He’s bigger than the movie stars sometimes!’]

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“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant