Toronto Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

BEST PICTURE
The Queen

BEST PERFORMANCE, MALE
Sacha Baron Cohen, Borat: Cultural Learnings of America
for Make Benefit Glorious Nation of Kazakhstan

BEST PERFORMANCE, FEMALE
Helen Mirren, The Queen

BEST SUPPORTING PERFORMANCE, MALE
Michael Sheen, The Queen

BEST SUPPORTING PERFORMANCE, FEMALE
Cate Blanchett, Notes on a Scandal

BEST DIRECTOR (Tie)
Jean-Pierre Dardenne and Luc Dardenne, L’Enfant
Stephen Frears, The Queen

BEST SCREENPLAY
Peter Morgan, The Queen

BEST CANADIAN FILM
Manufactured Landscapes (Mongrel Media)

BEST FIRST FEATURE
Thank You for Smoking, directed by Jason Reitman

BEST ANIMATED FEATURE
Happy Feet (Warner Bros.)

BEST FOREIGN-LANGUAGE FILM
L’Enfant (Mongrel Media)

BEST DOCUMENTARY FEATURE
Manufactured Landscapes (Mongrel Media)

Nominations

BEST PICTURE
The Departed (Warner Bros.)
The Queen (Alliance Atlantis)
United 93 (Universal Pictures)

BEST PERFORMANCE, MALE
Sacha Baron Cohen, Borat: Cultural Learnings of America
for Make Benefit Glorious Nation of Kazakhstan
Ryan Gosling, Half Nelson
Forest Whitaker, The Last King of Scotland

BEST PERFORMANCE, FEMALE
Penelope Cruz, Volver
Judi Dench, Notes on a Scandal
Helen Mirren, The Queen

BEST SUPPORTING PERFORMANCE, MALE
Danny Huston, The Proposition
Michael Sheen, The Queen
Mark Wahlberg, The Departed

BEST SUPPORTING PERFORMANCE, FEMALE
Cate Blanchett, Notes on a Scandal
Jennifer Hudson, Dreamgirls
Rinko Kikuchi, Babel

BEST DIRECTOR
Jean-Pierre Dardenne and Luc Dardenne, L’Enfant
Stephen Frears, The Queen
Paul Greengrass, United 93
Martin Scorsese, The Departed

BEST SCREENPLAY
Guillermo Arriaga, Babel
William Monahan, The Departed
Peter Morgan, The Queen

BEST CANADIAN FILM
The Journals of Knud Rasmussen (Alliance Atlantis)
Manufactured Landscapes (Mongrel Media)
Monkey Warfare (Odeon Films)
Six Figures (Seville Pictures)

BEST FIRST FEATURE
Brick, directed by Rian Johnson
Little Miss Sunshine, directed by Jonathan Dayton & Valerie Faris
Thank You for Smoking, directed by Jason Reitman

BEST ANIMATED FEATURE
Happy Feet (Warner Bros.)
Over the Hedge (DreamWorks/Paramount)
A Scanner Darkly (Warner Independent Pictures)

BEST FOREIGN-LANGUAGE FILM
L’Enfant (Mongrel Media)
Pan’s Labyrinth (Odeon Films)
Volver (Mongrel Media)

BEST DOCUMENTARY FEATURE
Deliver Us from Evil (Maple Pictures)
An Inconvenient Truth (Paramount Classics)
Manufactured Landscapes (Mongrel Media)

The Toronto Film Critics Association is made up of film critics representing a cross-section of Toronto’s media, including daily and weekly newspapers, film magazines, radio and television.

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray