Online Film Critics Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012 | 2013

BEST PICTURE
United 93

BEST DIRECTOR
Martin Scorsese – The Departed

BEST ACTOR
Forest Whitaker – The Last King of Scotland

BEST ACTRESS

Helen Mirren – The Queen

BEST SUPPORTING ACTOR
Jackie Earle Haley – Little Children

BEST SUPPORTING ACTRESS
Abigail Breslin – Little Miss Sunshine

BEST ORIGINAL SCREENPLAY
Pan’s Labyrinth

BEST ADAPTED SCREENPLAY
Children of Men

BEST CINEMATOGRAPHY
Children of Men

BEST EDITING
United 93

BEST ORIGINAL SCORE
The Fountain

BEST DOCUMENTARY
An Inconvenient Truth

BEST FOREIGN LANGUAGE FILM
Pan’s Labyrinth (Mexico)

BEST ANIMATED FILM
A Scanner Darkly

BREAKTHROUGH FILMMAKER
Jonathan Dayton & Valerie Faris – Little Miss Sunshine

BREAKTHROUGH PERFORMER
Sacha Baron Cohen – Borat

BEST PICTURE
Babel
Children Of Men
The Departed
Pan’s Labyrinth
United 93

BEST DIRECTOR
Alfonso Cuaron – Children of Men
Guillermo del Toro – Pan’s Labyrinth
Paul Greengrass – United 93
Alejandro Gonzalez Inarritu – Babel
Martin Scorsese – The Departed

BEST ACTOR
Sacha Baron Cohen – Borat
Leonardo Di Caprio – The Departed
Ryan Gosling – Half Nelson
Peter O’Toole – Venus
Forest Whitaker – The Last King of Scotland

BEST ACTRESS

Penelope Cruz – Volver
Judi Dench – Notes On A Scandal
Helen Mirren – The Queen
Meryl Streep – The Devil Wears Prada
Kate Winslet – Little Children

BEST SUPPORTING ACTOR
Alan Arkin – Little Miss Sunshine
Jackie Earle Haley – Little Children
Eddie Murphy – Dreamgirls
Jack Nicholson – The Departed
Mark Wahlberg – The Departed

BEST SUPPORTING ACTRESS
Adriana Barraza – Babel
Cate Blanchett – Notes on a Scandal
Abigail Breslin – Little Miss Sunshine
Jennifer Hudson – Dreamgirls
Rinko Kikuchi – Babel

BEST ORIGINAL SCREENPLAY
Babel
Little Miss Sunshine
Pan’s Labyrinth
The Queen
United 93

BEST ADAPTED SCREENPLAY
Children of Men
The Departed
Little Children
The Prestige
Thank You For Smoking

BEST CINEMATOGRAPHY
Apocalypto
Babel
Children of Men
The Fountain
Pan’s Labyrinth

BEST EDITING

Babel
Children Of Men
The Departed
The Fountain
United 93

BEST ORIGINAL SCORE
Babel
The Fountain
The Illusionist
Notes On A Scandal
Pan’s Labyrinth

BEST DOCUMENTARY
An Inconvenient Truth
Dave Chappelle’s Block Party
Dixie Chicks: Shut Up and Sing
Jesus Camp
Neil Young: Heart Of Gold

BEST FOREIGN LANGUAGE FILM
The Death of Mr. Lazarescu (Romania)
L’Enfant (Belgium)
Pan’s Labyrinth (Mexico)
Volver (Spain)
Water (India)

BEST ANIMATED FILM
Cars
Happy Feet
Monster House
Over the Hedge
A Scanner Darkly

BREAKTHROUGH FILMMAKER
Jonathan Dayton & Valerie Faris – Little Miss Sunshine
Ryan Fleck – Half Nelson
Rian Johnson – Brick
Neil Marshall – The Descent
Jason Reitman – Thank You for Smoking

BREAKTHROUGH PERFORMER
Sacha Baron Cohen – Borat
Shareeka Epps – Half Nelson
Jennifer Hudson – Dreamgirls Rinko Kikuchi – Babel

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch