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Ray Pride

By Ray Pride Pride@moviecitynews.com

Graf of the week: Manohla on Mann

Reportedly, NY Times doesn’t let its crickets write recommendations unless they’re the principal reviewer, but with year-end lists, anyone curious about what Manohla Dargis thought of Miami Vice can find out in her best-of-year citations: “Michael Mann doesn’t always receive the critical respect he deserves, partly because he likes to make genre films; maybe if he had hired Jack Nicholson to run around with Crockett and Tubbs ManMann_2315.jpg he might have at least seduced the audience. Glorious entertainment, Miami Vice is a gorgeous, shimmering object, and it made me think more about how new technologies are irrevocably changing our sense of what movies look like than any film I’ve seen this year. Partly shot using a Viper FilmStream camera, the film shows us a world that seems to stretch on forever, without the standard sense of graphical perspective. When Crockett and Tubbs stand on a Miami roof, it’s as if the world were visible in its entirety, as if all our familiar time-and-space coordinates had dropped away, because they have.” BONUS dialogue from Vice: Detective Gina Calabrese’s Harry Callahan-style drop-dead: “That’s not what happens. What will happen is… what will happen is I will put a round at twenty-seven hundred feet per second into the medulla at the base of your brain. And you will be dead from the neck down before your body knows it. Your finger won’t even twitch. Only you get dead. So tell me, sport, do you believe that?”

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“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama