MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Best Actor Chart

BEST ACTOR
Actor – Film
Golden
Globes
Comment
Will Smith – The Pursuit of Happyness
D
Your 85% likely winner
Peter O’Toole – Venus
C/M
Seems like a lock… now we’ll see how people feel about the film
Forrest Whitaker – The Last King Of Scotland
D
Still talked about often
Sacha Baron Cohen – Borat
C/M
The film is not officially a phenomenon. Now we’ll see how it holds up. But this nomination – a rarity for a comedy – is well deserved
Leonardo DiCaprio – The Departed
D
Close to an automatic these days?
Ryan Gosling – Half Nelson
D
George Clooney – The Good German
D
Nicolas Cage – World Trade Center
Jamie Foxx – Dreamgirls
C/M
Edward Norton – The Painted Veil
Derek Luke – Catch A Fire
Aaron Eckhart – Thank You for Smoking
C/M
Greg Kinnear – Little Miss Sunshine
C/M

BEST SUPPORTING ACTOR
Actor – Film
Golden
Globes
Comment
Eddie Murphy – Dreamgirls
*
Thunder… Early
Jack Nicholson – The Departed
*
It’s gotten quiet… which migth be good news for Jack… cause when we hear him again, it is a sure smile
Michael Sheen – The Queen
*
Excellent time in town
Alan Arkin – Little Miss Sunshine
*
Almost as fun to imitate as Jack
Brad Pitt – Babel
*
Gray pays
Michael Pena – World Trade Center
Jackie Earle Haley – Little Children
Steve Carrell – Little Miss Sunshine

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima