
By David Poland poland@moviecitynews.com
I'll Show You The Life Of The Penquin!!!
I don

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20 Weeks To Oscar: Rush To Poor Judgment?
20 Weeks Extra: Could There Be One More Turn?
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater–Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

Screw Happy Feet! Is there anything better than the Surf’s Up trailer out there right now?
Way to respect the embargo, Dave.
And I have the e-mail from Warner Bros that clearly says “day of release only” in my inbox if you’d like to see it.
But of course, I’m sure you’ll TAP DANCE and say this isn’t “really” a review. It’s just a critical opinion offered before the allowed date.
Excellent work. Huzzah!
Wow, Drew… thanks for adding your anger. I have to say, it’s a joyous moment to be lectured by AICN on embargo dates… especially when I haven’t broken one in years. (If you want to discuss those who have, feel free to take it private. I don’t need to drag anyone else into a public discussion.)
I Just looked at the invitation e-mail and I have no such note on mine. I spent 10 minutes with the publicists when I arrived and no one said a word. In addition, I don’t think you really think this is a review, do you?
I like the movie. It is audacious. It has an odd, undiscussed construction. It is flawed. The music is very Moulin Rouge. And kids got through it. That’s pretty much it. Is that a review? Are there any details of significance in the whole entry?
My standard for something like this – as though you deserve an explanation – is whether what I wrote would trigger a single review from anyone who might be under any embargo. And the answer is, I think, “no.” Do you disagree?
George Miller used Poland’s bathtub to shoot a few critical scenes so he has a personal connection to the project. Surely you can understand.
I dislike Drew McWeeny as much as the next guy…but if the David Denby Flags piece was a review, this was a review.
Um, it’s Happy Feet people. Who cares?
It’s not anger, Dave.
Just a bemused observation that the rules work the way they work for you because you say so. And then you love to tell everyone else what they can and can’t do.
If you think this is me angry, you must have missed the huge smile HAPPY FEET put on my face.
If length is the only thing that defines a review, then no, this isn’t. But if offering a critical opinion makes something a review, then this certainly is.
I thought Happy Feet was a reference to Birkenstocks. If you want a plot outline, it’s up in Cincinnati: http://www.fox19.com/Global/story.asp?S=5608607&nav=menu63_7_3
I’m just amused that y’all found a way to fight over a movie called “Happy Feet”
(I have noticed recently that there seems to be a problem with some publicists including the day-of-release note on their invites and others not, not specifically at WB, just in general. Kind of makes it hard to debate the matter when everyone is being handed a different set of rules.)
Oh My GOD, DREW!!!! You reviewed the movie!!!
What have I done?!?!?! I’ve tainted your pure soul. I will never forgive myself.
You showed him.
I know this is completely off topic, but I’m glad that you liked Happy Feet (considering the replies, the actual topic on hand does seem very off topic).
Miller is a legend, so I’m glad he’s back with a (potential) hit. I always knew he would do it and that the Animated Feature was just his for the taking. So… yay.
Wow…WB went from having a shit year to having two films that are not only (potentially) big big hits but also relative Oscar locks. Well, it was still a shit year, but all that ends well…
palm: The same thing happened with Disney last year…bombs all year then Narnia, and this year has been great for them. It’ll be ironic if Happy Feet ends up making more than Superman, their other Australian production.
I was actually looking forward to “Happy Feet” — until I heard Robin Williams’s voice. I can’t imagine a way I’d ever see it now.
Well if the presence of one voice can derail your entire viewing of the film then you probably didn’t care that much in the first place.
It could be worse, it could be all of Robin Williams, not just his voice.
Thx for this Dave! I was really looking forward to Happy Feet, and now even more so hearing how enjoyable it is!
)
If I really hate penguins then is there still a chance for me to like this movie? Because I can’t get past the whole penguin thing.
HAPPY FEET looks and sounds really great…can’t wait…for DVD…
Nice going Dave, you just jinxed HAPPY FEET ala PHANTOM OF THE OPERA.
Drew…shouldn’t you be concerning yourself with a big screen adaptation of MISSLE COMMAND or something? I thought you were a screenwriter now, not a pundit.
I, for one, can’t wait for Drew’s review of Deja Vu. I’m sure that after spending time with Jerry Bruckheimer and Tony Scott in the editing room while also getting to see about 45 minutes of the movie will result in an impartial and insightful critical analysis of the film.
“Drew…shouldn’t you be concerning yourself with a big screen adaptation of MISSLE COMMAND or something?”
LOL! Drew just turned in his first draft of Galaga.
Can someone out Drew so we all know who he is? All this insider talk is really confusing the outsiders among you…
Drew is Drew McWeeney, aka “Moriarty” from It Ain’t Cool News.
“Drew just turned in his first draft of Galaga.”
That explains why Drew needs a writing partner. It takes 2 brains–one not his– to craft a GALAGA adaptation.
Ha! Rock on, Poland. Do what you do, babe.
I hope Happy Feet is as good as you say, but i’m really rooting for the fabulous Monster House to win for best Animated Feature. All the wit and imagination of vintage Pixar, why on Earth this didn’t do better is beyond me – “You pee in bottles?!”. Still, i expect it to have the kind of afterlife that Nightmare Before Christmas enjoys now. Incidentally DP, did you know that your favourite punching bag Superman Returns limped wheezing and battered over the $200 million mark last week? Just how DO you spell ‘Pyrrhic’?!
Don’t listen to Dave, Drew. This is TOTALLY a review. How do I know? Cuz when it was first posted, it had a page and a half description of what he ate for breakfast, what toys are surrounding his computer, and a transcription of the wake-up call Robin Williams PERSONALLY made to him earlier that day.
…Oh…and…lots…of…incorrectly…placed…ellipses.
Hahaha! That totally made my day Ju-osh.
I personally feel like Monster House is a better film, Doc. But the big box office and late year success of Penguins – all the grandkids will be talking about it endlessly – will be near impossible to beat.
No one does widescreen like George Miller, and this one had $200 million grosser slapped all over.
The crowds ate up the trailers since Goblet of Fire, and in turn the new Harry Potter trailer is attached to Happy Feet. The question I keep asking myself is just where does James Bond and his little Spider-Man 3 trailer land that weekend?
Tofu, I’d wager that the SM3 trailer is with Happy Feet. A lot of people consider Spider-Man to be a family film in my estimation…I could be wrong though, and all the people I know are just weird.
I’m not sure if I was ever looking forward to Happy Feet, but this edges me into the matinee screening one day after Christmas…
Warners is attaching their HP teaser to Happy Feet.
Sony is attaching their new SM teaser to Casino Royale.
It’s not any more complicated than that.
That above is not a review…that above is about the economic chances of the movie and the type of movie it is.
it doesn;t tell a thing on WHAT the movie plot is about etc. and nothing is spoiled.
MIller rocks…his movies are full of modern grotesques, the best “carny” folk (and animals) are in his flicks.
I wish he’d take a shot at reinterpreting Bradbury’s SOMETHING WICKED THIS WAY COMES.
If there’s an opinion or an evaluation, it’s a review. Spoilers not required (and plot description _definitely_ not required).
then it’s a review that says nothing Jeff. But I suppose people make something out of Nothing all the time.
It says he liked it.
Plus, nobody said a review had to be incisive or interesting. If that was the criteria, there would be very few reviewers working today.
So if Poland says: “Happy Feet — thumb’s up” that constitutes a review and falls under embargo rules?
I don’t buy it.
To put my foot in it further…
Had I been told about an embargo, I would have offered absolutely no opinon last night.
In many situations, a studio very clearly does not want any word coming out about the film when I see it. That often includes the fact that I have seen the film at all. At most timesof the year, there are movies I have seen that no one aside from the studio or a filmmaker knows I have seen.
And there are movies, like Stranger Than Fiction, that I have seen, people know I have seen, and I have not written or spoken much about.
As I wrote before, my standard starts with the wishes of the person inviting me. If I don’t like the rules, I have the right to negotiate or to pass on seeing the film. What I never have the right to do is to tell the studio one thing and then do something else, either directly or indirectly.
In the case of Happy Feet, unless there was a strong discussion about not doing it, even if I had been embargoed, by Thursday I would have felt free to offer an Oscar opinion, but I would not have mentioned story structure.
This was nothing close to being a review. And J-Mc knows, I think, that I don’t write reviews without offering info or clarity about my opinions. So I can only conclude that he is enjoying some rhetorical rubbing on this one.
And Drew had the right to bring up the issue. If he was embargoed and I was not, I can understand the chaffing. I would feel the same way if the roles were reversed.
Of course, he always assumes stuff about me because he wants to prove me a hypocrite. If he had asked, even angrily, instead of smugly assuming, it would be a conversation, not a pissing match. Anyone on this blog for more than a day or two knows full well that I have an absolute willingness to explain (or overexplain) myself.
And this proves it. (smiley emoticon)
“I personally feel like Monster House is a better film, Doc.”
Oh, that just dampened my interest, since Monster House did not impress me.
“And J-Mc knows, I think, that I don’t write reviews without offering info or clarity about my opinions. So I can only conclude that he is enjoying some rhetorical rubbing on this one.”
I know no such thing. And I respect all of your own rules regarding screenings and embargoes.
However, when you allow yourself to get drawn into pissing matches with idiots like Drew, and when you play rhetorical games rather than concede a minor, minor, quibbling point, you look silly.
BTW: you mean ‘drubbing’ right?
“…nobody said a review had to be incisive or interesting. If that was the criteria, there would be very few reviewers working today.”
That’s exactly why most Critics have no competence in writing IMUHO, excluding Dave of course, since he can write proper reviews.
Dave may be a bit long-winded to your responses when you & others are behaving like blog bedbugs, but he knows how to write a review.
THAT above is not a review. It says nothing of consequence. If anything, the makers should be pleased that such a carrot is being waved about, without revealing details, on a public board.
Does it really matter? I doubt the studio is gonna care if Dave heaped praise on an upcoming movie.
HAPPY FEET! Yay! Can’t wait!