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David Poland

By David Poland

The Basis For Superman 4.0:Superfamily United?


9 Responses to “The Basis For Superman 4.0:Superfamily United?”

  1. RoyBatty says:

    DP – first feel free to delete this post, as it is OT. However, I did not see a link for e-mail addy on the blog page.
    Have you seen Falwell’s comments that in order to be successfull in Hollywood you must be homosexual? If anything screams “Start a new thread” it’s this latest idiotic announcement from the Rev.
    At last, I understand why I have yet to achieve success out here. It has nothing to do with the fact I haven’t written a new script in years – it’s because I don’t smoke cock.
    And here I was thinking just being a regular type sex pervert would get me in….

  2. RoyBatty says:

    Then again, considering all the “How gay is SUPERMAN RETURNS” chatter, perhaps it is a little more on topic than I first thought.

  3. JckNapier2 says:

    The best Superdickery entry involves the cover in which Superman and Batman talk about discovering a time machine. The caption makes perfect arguments about what could be done about such a time machine. It’s worth looking for.
    Scott Mendelson

  4. jeffmcm says:

    Speaking of gay, I liked the one where Superman emanated rainbows from his hands.

  5. anghus says:

    i love that site.
    in the movie when superman throws the ball like 8 miles, and the dog stops and whines, i thought it was an homage to the site.
    Superman really is a dick.

  6. Lota says:

    heh heh. Gives me confidence for Never liking superman comics and always opting for Iron man.
    When I looked at superdick 4, my first impression was Katie Holmes was Lois, Tom Cruise was Superman, and Titanman was “insert manly-but-disturbed A lister who wants to marry katie Holmes…and is wearing mask to hide botched plastic surgery”
    ha ha. move on up there Katie.

  7. Aladdin Sane says:
    Now that’s classic.

  8. Josh Massey says:

    Falwell was right – homosexuality is a slippery slope that directly leads to bestiality!

  9. JckNapier2 says:

    Still my favorite…
    Scott Mendelson

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima