Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Screening Gotham: June 30-July 2, 2006

A few of this weekend’s worthwhile cinematic goings-on around New York:
–You should know going into Andrew Berends’ Iraq documentary The Blood of My Brother (opening today at Cinema Village) that the film takes itself almost too seriously to bear. But if you will allow me, I intend that as a compliment. Rather than reiterate another 90 minutes of counteracting platitudes from Americans and Iraqis thrown together by war, Berends walks into the maw of the insurgency and just rolls tape. His overriding conceit tracks Ibrahim, a young Iraqi whose life implodes following his brother’s death at the hands of coalition forces. Split between his family responsibilities and a febrile drive for revenge, he considers joining the Shia uprising. But while Ibrahim hedges, Berends follows the ragtag Medhi Army into and out of mass protests, funerals, prayers and, ultimately, gun battles with American tanks and helicopters.

Medhi Army fighters from Sadr City take up arms in The Blood of My Brother (Photo: Andrew Berends)

The tone and action supercede the icy cynicism of The War Tapes or mournful revelation of Control Room; it is the first Iraq doc I have seen in which death permeates every frame. That said, The Blood of My Brother is not quite a great film–it reflects a cloying political self-consciousness at times when it should let its director’s hard-won images speak for themselves. But to the extent Berends reveals danger as the only sense more resonant than hopelessness, you pretty much have a waking nightmare on your hands. And fair warning: Animals were harmed in the making of this motion picture.
–On a lighter, trashier note, the Pioneer is reviving Showgirls for one final June screening. I would elaborate on what a treat this is, but I doubt I can say it better than good old Jeffrey the projectionist (via Pioneer’s MySpace page):

Ladies, mention this mySpace blog post and get discounted admission. BITCHES TO THA FRONT. BITCHES TO THA BACK. BITCHES ALL AROUND BITCHES SMACK SMACK SMACK. I don’t know what that means, but it’s okay. You know what, anyone can just come and mention this mySpace blog and get discounted admission. That’s how we roll: GENEROUS.

Rumor has it that “discounted admission” means $6.50 instead of the regular $9. Which, you have to admit, is a small price to pay for such date-ready debauchery.
–You knew that last week’s rainout would not enough to break the spirits of the gang behind the Billyburg Short Film Festival, which unspools this evening with host Michael Showalter (Stella, The Baxter) presiding. Films include Braden King’s music video Bonnie “Prince” Billy: Horses and the 2006 BSFF Best in Show, Baby Eat Baby–“a film about war and truth starring nude babies and people made of clay.” Assuming you survive, an afterparty featuring live music by Japanther follows.

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Feature films are suffering a kind of bad time right now, in my opinion, because the feature films that play in theaters are blockbusters. That seems to fill the theaters, but the art-house cinema is gone. If I made a feature film, it might play in L.A. and New York, a couple of other places, for a week in a little part of a cineplex, and then it would go who knows where. I built this to be on the big screen. It will be on a smaller screen, but it’s built for the big screen. You want a feature film to play on a big screen with big sound, and utilize all the best technology to make a world. It’s really tough after all that work to not get it in the theater. So I say that cable television is a new art house, and it’s good that it’s here.”
~ David Lynch

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert