
By David Poland poland@moviecitynews.com
Cirque du So What
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RT @vishnevetsky: In all situations, the most constructive comment is "Who cares?"
RT @OnTheCroisette: The Queer Palm is about to be given in a chaotic atmosphere.
RT @peterhowellfilm: Kim Novak promised us a Q&A after VERTIGO, but she split. Oh, Madeleine, why do you keep running away? #Cannes2013
DP: @BumbleWard But I am not a great fan of the cinema of negative drama… plenty of critics feel otherwise
DP: The 6 hr version - w/ a story - might’ve been great RT @BumbleWard: @DavidPoland that makes me sad Dave! The confession scene blew me away.
“A lot of people bring bacon and Scotch. There’s a great tailgating scene at a lot of these colleges before the show. They put up different Ron Swanson banners, and they will be grilling different Ron Swanson meat items, like the Swanson. That’s a turkey leg wrapped in bacon, and I have to say it’s pretty delicious. What greater fan interaction could there be? This guy at Iowa State handed me a jalapeño Cheddar cheeseburger that he’d made, which I happily consumed, which fueled the comedy that he’d come to see. It’s all hakuna matata, part of life’s beautiful circle.”
~ Nick Offerman On Offerings Of Victuals
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks

Is Peter Frampton in the show?
I haven’t been to Vegas in a long time and have only seen Mystere and O. When Cirque started spreading its act in Zumanity and Ka, I thought that would be it – too much of a good thing. Thanks for the review and I don’t ever plan on seeing this one especially for these prices.
I was a Cirque fan for a few years, watching Alegria, Mystere, Quidam, Dralion, and countless other ones on Bravo. But mentioning the Beatles does sound odd. The show’s appeal for me was always the non-contextualized Euro quirkiness that infused it. The more contextualized the show got, the less intriguing. Dralion was good not great because the Chinese performers tended to stand out a bit from the theatricality of it all…sort of like they were doing their own bits with Cirque costumes. And the music was the best when it was the most pliable, recombining itself and stretching out to fit the performers’ needs. It’s a shame to have the tempos not accomodate them. Even a few years back it seems Cirque was overreaching and now perhaps they’ve jumped the Vegas-act shark.
That’s too bad. I was intrigued regarding the manipulation/reworking of the original recorded tracks that George Martin & Son were involved in. Sounded fascinating, but i’m guessing it was merely frustrating?