Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Early Tracking on 'The Departed' Reveals a Dissatisfied Christopher Doyle

In the lingering PR hangover accompanying the New York Film Festival’s recent schedule announcement, a colleague and I bandied about a few titles we thought belonged on a short list for opening night. I ultimately suggested Marie-Antoinette (before yesterday’s critical gang rape, natch) while my knowledgeable pal stuck with the Warner Bros. motif in citing Martin Scorsese’s The Departed, which is evidently locked into an Oct. 6 wide release. (The NYFF starts Sept. 30.)
But another old friend of The Reeler’s indicates (via Grady Hendrix) that we shouldn’t be getting our hopes up for Scorsese’s red-carpet saunter through Lincoln Center either:

The Departed also gets a gift of some choice words from Christopher Doyle, Hong Kong’s acclaimed cinematographer and the visual consultant on Infernal Affairs. Saul Symonds, a writer in Hong Kong, interviewed Doyle and these are the outtakes, which are fascinating. Here’s what Doyle had to say about The Departed:

“I find it disappointing if not depressing to see someone of the integrity and scholarship of Marty:

1) apparently not knowing or caring where the original originates from (which I find insulting to our integrity and efforts…when of all the filmmakers in the world Marty is the one who pretends to celebrate excellence and integrity and vision in cinematography)

2) needing to suck box office, or studio, or whoever’s dick he feels he needs to suck…it can’t be for the money…it can’t be for the film (for the reasons above)…it must be just to work…which is mostly my motivation most of the time…but to have something fall into one’s lap because one is supposedly competent in a certain kind of filmmaking is exactly why we are moving on and accountants are making non-subtitled versions of what we do.

There is a little more over at Hendrix’s Kaiju Shakedown, and of course it is worth the read. Meanwhile, The Fountain just moved into the front-runner spot for opening night, assuming Doyle doesn’t empty his clip on Darren Aronofsky for debasing himself with cocksucking time-travel films or something. Anything is possible, and God knows it is a long way to September.

2 Responses to “Early Tracking on 'The Departed' Reveals a Dissatisfied Christopher Doyle”

  1. prideray says:

    Fuckin’ Chris Doyle. Fuckin’ a.

  2. A says:

    How odd. This interview with Doyle is from last year and comes from Saul Symonds at http://www.hkfilmart.com/

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima