MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Doyle a la carte: Chris is not dearly on Departed

In his New Yorker review of In the Mood for Love, David Denby averred that Christopher Doyle‘s cinematography abetted “a new form of perversion.” Grady Hendrix discovers a release date for The Departed, Martin Scorsese‘s remake of Infernal Affairs, on which Doyle had a Visual Consultant credit, and also the good old form of constructive Chris-ism on the topic. doyleviet_4957.jpg Hendrix quotes scribe and Light Sleeper mag majordomo, Saul Symonds, who offers up outtakes from a recent interview. “”I find it disappointing if not depressing to see someone of the integrity and scholarship of Marty: 1) apparently not knowing or caring where the original originates from (which I find insulting to our integrity and efforts…when of all the filmmakers in the world Marty is the one who pretends to celebrate excellence and integrity and vision in cinematography; )2) needing to suck box office, or studio, or whoever’s dick he feels he needs to suck…it can’t be for the money…it can’t be for the film (for the reasons above)…it must be just to work…which is mostly my motivation most of the time…but to have something fall into one’s lap because one is supposedly competent in a certain kind of filmmaking is exactly why we are moving on and accountants are making non-subtitled versions of what we do; .3) it makes me very sad to see Marty and so many others genre-fying and gentrifying himself into mediocrity. Granted, mediocre is not just a Western ailment…but it would seem the disease is malign and endemic.” [Early love from Chris to Marty can be found here.]

Comments are closed.

Movie City Indie

Quote Unquotesee all »

What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris