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David Poland

By David Poland poland@moviecitynews.com

Screening Gotham: March 10-12, 2006


A few of this weekend’s worthwhile cinematic happenings around New York:
–Just as the ethos and logistics of horror filmmaking are famously friendly to independent filmmakers, the war genre is often perceived as the domain of explosives, costumes and other big-budget accessories out of indies’ reach. But Brooklyn filmmaker Ari Taub spent the last decade proving that perception wrong with The Fallen, opening this weekend at the Pioneer Theater. A meditative glimpse at World War II as seen through the eyes of American, German and Italian troops on the European front, The Fallen expertly navigates the war’s moral crises without stretching its no-budget premise beyond credulity or craft. Rather, Taub invests everything he has in story, and the labor of love pays off dramatically. In other words: Don’t expect Saving Private Ryan, but maybe something even better.
–The New York Underground Film Festival continues at Antholgy Film Archives this weekend with programs all day Saturday and Sunday. Chiefly interesting among these is Google Me This, featuring a couple dozen underground filmmakers and visual artists scavenging Google Video for the most bizarre, dismaying and generally obscure movies on the Web. Also of interest: the shorts program Happy Together, which includes NYC filmmaker Shiri Bar-On’s Making Me Happy and a somehow-enthralling documentary about a Swedish tax worker. On a weekend where filmgoing alternatives include Failure to Launch and The Shaggy Dog, trust me: Paying Tax is Sexy really is sexy.
–Check it out: Lionsgate rereleased Crash! And hey! Look over there! A swarm of locusts!

3 Responses to “Screening Gotham: March 10-12, 2006”

  1. Dave Bourla says:

    It’s truly amazing that a lame film like this with no plot gets this much attention.

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“Cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet.”
~ Fredric Jameson On William Gibson, Cyberspace and “Neuromancer”

“At one point in the comedy dead zone known as Seth MacFarlane’s Ted 2, the title character—a stuffed toy bear voiced by Mr. MacFarlane—and his dimwitted best friend, John (Mark Wahlberg), visit a comedy club to engage in a favorite pastime: throwing bleak improv ideas at the comics onstage. So, seated in the back of the auditorium while cloaked in darkness, the friends start shouting out suggestions like 9/11, Robin Williams and Charlie Hebdo to the unnerved comics. The topics don’t mean anything to Ted and John, who, like Mr. MacFarlane, take great pleasure in making others squirm. They could have just as easily yelled gang rape, the Holocaust and dead puppies.”
Manohla Dargis on Ted 2

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