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David Poland

By David Poland poland@moviecitynews.com

Screening Gotham: March 10-12, 2006


A few of this weekend’s worthwhile cinematic happenings around New York:
–Just as the ethos and logistics of horror filmmaking are famously friendly to independent filmmakers, the war genre is often perceived as the domain of explosives, costumes and other big-budget accessories out of indies’ reach. But Brooklyn filmmaker Ari Taub spent the last decade proving that perception wrong with The Fallen, opening this weekend at the Pioneer Theater. A meditative glimpse at World War II as seen through the eyes of American, German and Italian troops on the European front, The Fallen expertly navigates the war’s moral crises without stretching its no-budget premise beyond credulity or craft. Rather, Taub invests everything he has in story, and the labor of love pays off dramatically. In other words: Don’t expect Saving Private Ryan, but maybe something even better.
–The New York Underground Film Festival continues at Antholgy Film Archives this weekend with programs all day Saturday and Sunday. Chiefly interesting among these is Google Me This, featuring a couple dozen underground filmmakers and visual artists scavenging Google Video for the most bizarre, dismaying and generally obscure movies on the Web. Also of interest: the shorts program Happy Together, which includes NYC filmmaker Shiri Bar-On’s Making Me Happy and a somehow-enthralling documentary about a Swedish tax worker. On a weekend where filmgoing alternatives include Failure to Launch and The Shaggy Dog, trust me: Paying Tax is Sexy really is sexy.
–Check it out: Lionsgate rereleased Crash! And hey! Look over there! A swarm of locusts!

3 Responses to “Screening Gotham: March 10-12, 2006”

  1. Dave Bourla says:

    It’s truly amazing that a lame film like this with no plot gets this much attention.

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“People react primarily to direct experience and not to abstractions; it is very rare to find anyone who can become emotionally involved with an abstraction. The longer the bomb is around without anything happening, the better the job that people do in psychologically denying its existence. It has become as abstract as the fact that we are all going to die someday, which we usually do an excellent job of denying. For this reason, most people have very little interest in nuclear war. It has become even less interesting as a problem than, say, city government, and the longer a nuclear event is postponed, the greater becomes the illusion that we are constantly building up security, like interest at the bank. As time goes on, the danger increases, I believe, because the thing becomes more and more remote in people’s minds. No one can predict the panic that suddenly arises when all the lights go out — that indefinable something that can make a leader abandon his carefully laid plans. A lot of effort has gone into trying to imagine possible nuclear accidents and to protect against them. But whether the human imagination is really capable of encompassing all the subtle permutations and psychological variants of these possibilities, I doubt. The nuclear strategists who make up all those war scenarios are never as inventive as reality, and political and military leaders are never as sophisticated as they think they are.”
~ Stanley Kubrick

“You can’t make films about something the audience knows nothing about. The trick is getting the audience to tell their own stories in the story so that they know what will happen. And then, just before they get bored, you must surprise them and move the story in a new direction.”
~ Mogens Rukov

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