
By David Poland poland@moviecitynews.com
Klady's Friday Estimates – 3/25/06
Okay… get this… the Friday estimate for Spike Lee

Okay… get this… the Friday estimate for Spike Lee
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God Save The NFB! “@GuyLodge: @raypride @tednope And Venice, pre-Toronto!” STORIES WE TELL in 35mm
My trade reviewer wish for the #Cannes festival is that someone give Scott Foundas a quaalude and Todd McCarthy some speed.
RT @raypride: How it premiered at Toronto fest, too “@TedNope: one of the nicest 35mm prints I've seen recently in NY was a new print of ST…
DP: Watch it! RT @MelBrooks: Dear Twitters! I'm on @Pbsamermasters 'Mel Brooks: Make A Noise' on @PBS tonight at 9/8c! . http://t.co/n7jdLp7B0V
DP: Unless you misuse all 3 RT @MattDentler: Mila Kunis, Marion Cotillard & Zoe Saldana are the 3 female leads in BLOOD TIES. That's hard 2 top.
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell
“Anyway, Hitchcock eventually saw a rough cut of High Anxiety. He enjoyed it. But he said nothing after it. He just left. I [thought he] wasn’t happy. The next day, about 11 o’clock in the morning, I get this enormous, beautiful case of Chateau Haut-Brion 1961. That was almost 20 years old [at the time]. I mean, it was priceless. And there were magnums six of them, in a wooden case. Haut-Brion. I mean, oh my God. I’ve still got three of them left waiting. I keep all the good wines.”
What kind of occasion is worthy? When will you know it’s time to go into number four?
“A real, real occasion. I won’t drink it just because it’s a family occasion. I’ll drink it with guys that know what a good wine is and care about, you know, exquisite wines. I have a couple of friends that know what a good wine is.”
~ Mel Brooks, Foodie

I’m assuming those dogs must have more personality than Paul Walker (because they’d have to).
I don’t expect V for Vendetta to uptick much…seems like it’ll top out around $60?
And as David Spade said, shouldn’t they have called it “Larry the Health Inspector”?
Pretty much a given that Inside Man was going to open higher than Vendetta. Vendetta hopefully upticks to a 40-something% drop. $70 million is the likely landing point here.
I’m actually on the team that thinks Disney didn’t expose Eight Below enough. Like any Miyazaki movie, it just could’ve found even more of an audience but Disney doesn’t take the bait.
The question now is if Vendetta or Stay Alive will be #2. I’m siding with Vendetta because of last week’s Saturday rise, Horror movies going all over the place on Saturday’s, and personal bias. Hehehehe.
Mr. Poland,
Which’ll be remembered in a decade, Vendetta or Brokeback? Thought I’d just stir up some debate.
Oh, no. Can’t they both be?
There’s plenty of other debate in the thread “The First Gay Superhero Movie,” Jimmy. Sink your teeth into it.
agreed, 8 Below did a lot of money with very little advertising support outside the core demo. That was $125-150 money maker that they took the quick and cheap approach with. THe film never had much buzz and still made a ton of cash.
probably neither, the public seems to be over the love affair with Brokeback and Vendetta just hasn’t caught on outside the trades.
(sigh)
What makes you say the public seems to be over Brokeback? Just because it’s not in the headlines anymore?
i think the ugly oscar loss confirmed what a lot of the public thought about brokeback – that it was overrated. Between the two though, I’d say Brokeback has a better shot at being remembered in 10 yrs. “Gay cowboy movie” is going to be harder to get out of public conciousness than “fey anarchy flick”.
And what is your source for your notion that the public thought it was overrated? It’s in the top 250 on IMDB (granted, just barely, but still).
Go Spike!
Yeesh, I didn’t realize that Malcolm X was his highest-grossing movie ever, with $48m…Inside Man will easily pass that after next weekend or so.
R.I.P. Richard Fleischer at age 89. I know he’ll likely be remembered best for “20,000 Leagues Under the Sea” and “Fantastic Voyage,” but I must admit that “The Last Run” will always have a more important place in my heart. If you’ve ever seen it, you’ll know what I mean. Especially when George C. Scott tells Trish Van Devere, after she tells him she won’t run off with him: “Well, I never really thought you were going to…”
Clive Owen is plural now?
wow. nice one, Spike.
Yeah, that movie totally worked and was also a continuation of Spike’s cultural explorations. Hope he does more great stuff now that he has some more box office validity.
I agree. Inside Man is genetically as much of a Spike Lee film as Do The Right Thing, and even when character motivations fly off the tracks, there’s never an uninteresting moment in the film. The whole way through I got the sense my theater’s intelligence levels were being met and challenged.
When his indulgences are put in check, Lee can work wonders.
How many people, though, do you think saw “Directed by Spike Lee” in the opening credits and were surprised? The ads ran like hell from promoting the fact Lee was behind it.
A brilliant move on their part. Does anyone really think it would’ve opened to 29 mill with Spike’s name plastered all over the ads? (And props to Spike for recognizing that fact and agreeing to it.)
The fact that Denzel and Jodie were in it practically sealed it’s fate no matter who directed it. Add in Clive Owen and, yes, Spike Lee and you got success. Seriously, I love that Jodie Foster is still one of the movie-worlds most consisted draws.