MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Dunking the bucket: why Dorothy was lucky

Over at screenwriting blog Alligators in a Helicopter, a few notes about why you must earn The Bucket: “The longer I read, the more intolerant I have gotten about dumb logic mistakes in scripts. There’s nothing that makes me throw a script across the room quicker… I don’t think I even realized how stupid the bucket was, until I was an adult.The bucket, of course, is the bucket of water that Dorothy throws on the Wicked Witch of the West in The Wizard of Oz, melting her. There are so many amazing things wrong with the bucket. First of all, it has no reason being there… You’re a witch. And your main Achilles’ heel… is that water will melt you… it takes a lot of effort to avoid water your whole life.We’re talking no showers. No swimming in pools, or lakes, or skinning-dipping in the local pond. No dancing through the rain as a little girl… No toilets, because she wouldn’t want to risk the splashback… Was she limited to juice? Milk? Martinis? …But despite what must have been a tyrannical water ban… there’s a bucket of water. Just sort of sitting there…


The obvious fix is to have Dorothy learn of this, and bring a little water with her… A stoppered bottle, a prototype water pistol… even a flying monkey, that needs to pee really badly. But Dorothy has no idea. And this is the second problem. She douses the witch with the bucket accidentally, while putting out the scarecrow… Obviously, the idea is that Dorothy is really not a bad person. She’s not a killer, she just conveniently kills witches by pure contrivance… I’m more jaded now. The bucket has to be earned. I think that’s a good thing.”

Comments are closed.

Movie City Indie

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant