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Ray Pride

By Ray Pride Pride@moviecitynews.com

Basic Skyline: tear down this phallus, Mr. Livingstone!

In the Guardian, Peter Bradshaw constructs prize contumely in: re a certain building being the anchor of today’s London skyline in movies: “And, please, what is it with the Swiss Re ‘gherkin’ building? Why is it that every film set in London has to feature the gherkin? It used to be that London films had Routemasters sailing past the Palace of Westminster as their establishing shot. 30 St Mary Axe Gherkin photo by Grant Smith.jpgNow it’s that bulbous, squat glass edifice poking up into the skyline as characters hurry in and out of cabs. Morrissey’s office is actually in the gherkin, one of the most implausible sets I have ever seen, with its cross-diagonal struts visible on the windows overlooking the city. Why not have his office on the London Eye for ‘Basic Instinct 3’? Our poor capital city adds nothing to the film, and the film contributes nothing to London; it might as well be set on one of Jupiter’s moons for all the atmosphere that is injected. Basic Instinct 2 resembles nothing so much as the toe-curling sex-obsession drama Killing Me Softly, another movie in which the UK is about as sexy as a pair of old Y-fronts.”

One Response to “Basic Skyline: tear down this phallus, Mr. Livingstone!”

  1. Kathy Boyes says:

    Down here at the bottom of the world in the Aussie sun we always thought the UK was about as sexy as a pair of old Y-fronts

Movie City Indie

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch