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Ray Pride

By Ray Pride Pride@moviecitynews.com

Basic Skyline: tear down this phallus, Mr. Livingstone!

In the Guardian, Peter Bradshaw constructs prize contumely in: re a certain building being the anchor of today’s London skyline in movies: “And, please, what is it with the Swiss Re ‘gherkin’ building? Why is it that every film set in London has to feature the gherkin? It used to be that London films had Routemasters sailing past the Palace of Westminster as their establishing shot. 30 St Mary Axe Gherkin photo by Grant Smith.jpgNow it’s that bulbous, squat glass edifice poking up into the skyline as characters hurry in and out of cabs. Morrissey’s office is actually in the gherkin, one of the most implausible sets I have ever seen, with its cross-diagonal struts visible on the windows overlooking the city. Why not have his office on the London Eye for ‘Basic Instinct 3′? Our poor capital city adds nothing to the film, and the film contributes nothing to London; it might as well be set on one of Jupiter’s moons for all the atmosphere that is injected. Basic Instinct 2 resembles nothing so much as the toe-curling sex-obsession drama Killing Me Softly, another movie in which the UK is about as sexy as a pair of old Y-fronts.”

One Response to “Basic Skyline: tear down this phallus, Mr. Livingstone!”

  1. Kathy Boyes says:

    Down here at the bottom of the world in the Aussie sun we always thought the UK was about as sexy as a pair of old Y-fronts

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“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour