
By David Poland poland@moviecitynews.com
"I Wish I Knew How To Quiet You…"



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Trailer: The Wolf of Wall Street
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DP/30: My Day In Video from Michael Cera to Costa-Gravas
Review: Man of Steel (spoilers)
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

Ok…The whole BBM/culture joke thing has hit its jumping point. Where’s the Fonze when you need him???
Those jokes are becoming as cool ans hip as acid wash jeans, members only jackets and Pokemon.
God that is lame.
BBM has turned into pop culture parody
It is the front runner for an Oscar win. Those usually have some pop culture comedy to them.
I like it. Funny stuff.
As for where the Fonz is, he’s here: http://falcontheatre.com/happy.htm
Henry Winkler was great on “Arrested Development”.
And he’s great on “Out of Practice,” a smart, very funny sitcom that critics have inexplicably dumped on.
Critics won’t accept a sitcom nowadays. They have bad connotations.
Critics liked Arrested Development, though.
Yeah, critics love ‘Arrested Development’. They can rant and rave all they want, but Fux is what it is. Genius at spotting shows and genius at not supporting them (see Undeclared, Titus). EW goes and gives the final 4 episodes of AD an A+, and still Fox keeps it in limbo…I would love to see it continue on…like on Showtime. Brilliant…Fox, just cancel it and let others excel where you couldn’t – ie marketing!
No sitcom nowadays gets supported enough to stay on the air and find an audience. Fox’s problem with “Arrested Development” also had to do with not finding a home for it. They had no lead in for it to help it. Moving it around the schedule doesn’t help a show find an audience. And audiences really don’t listen to critics.
Look at all the networks. Look at the top 25 on the ratings. You can barely find any sitcoms.