The Southeastern Film Critics Association

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Awards: December 19, 2005

BEST DOCUMENTARY
March of the Penguins
Runner-up – Grizzly Man

BEST ANIMATED FILM
Wallace and Gromit: The Curse of the Were-Rabbit
Runner-up – Tim Burton’s Corpse Bride

BEST FOREIGN LANGUAGE FILM
Caché
Runner-up – Kung-fu Hustle

BEST DIRECTOR
Ang Lee, Brokeback Mountain
Runner-up – George Clooney, Good Night, and Good Luck.

BEST ACTOR
Philip Seymour Hoffman, Capote
Runner up – Heath Ledger, Brokeback Mountain

BEST ACTRESS
Felicity Huffman, Transamerica
Runner-up – Reese Witherspoon, Walk the Line

BEST SUPPORTING ACTOR
Paul Giamatti, Cinderella Man
Runner-up – George Clooney, Syriana

BEST SUPPORTING ACTRESS
Amy Adams, Junebug
Runner-up – Michelle Williams, Brokeback Mountain

BEST ORIGINAL SCREENPLAY
Paul Haggis and Bobby Moresco, Crash
Runners-up – George Clooney and Grant Herslov, Good Night, and Good Luck.

BEST ADAPTED SCREENPLAY
Larry McMurtry and Diana Ossana, Brokeback Mountain
Runner-up – Dan Futterman, Capote

SEFCA Top Ten
Brokeback Mountain
Good Night, and Good Luck.
Capote
Crash
A History of Violence
The Constant Gardener
Syriana
Cinderella Man
King Kong
Walk the Line

WYATT AWARD
Junebug
Runner-up – Hustle and Flow

The Wyatt, given in memory of late SEFCA member Gene Wyatt, is awarded a film that captures the spirit of the South. This is the first year a recipient has been chosen.

Forty-two members in nine states (Alabama, Arkansas, Florida, Georgia, Louisiana, North Carolina, South Carolina, Tennessee and Virginia) voted in the 14th annual SEFCA poll.

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A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver