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National Board of Review

2003 | 2005 | 2006 | 2007 | 2008 | 2009 | 2011 | 2013 | 2014

Awards: December 12, 2005

Best Film
Good Night, And Good Luck

Best Foreign Language Film
Paradise Now

Best Documentary
March of the Penguins

Best Animated Feature
Tim Burton’s Corpse Bride

Best Director
Ang Lee, Brokeback Mountain

Best Actor
Philip Seymour Hoffman, Capote

Best Actress
Felicity Huffman, TransAmerica

Best Supporting Actor
Jake Gyllenhaal, Brokeback Mountain

Best Supporting Actress
Gong Li, Memoirs of a Geisha

Best Acting By An Ensemble
Mrs. Henderson Presents

Breakthrough Performance Actor
Terrence Howard, Crash, Get Rich or Die Tryin’ and Hustle & Flow

Breakthrough Performance Actress
Q’Orianka Kilcher, The New World

Best Directorial Debut
Julian Fellowes, Separate Lies

Best Adapted Screenplay
Stephen Gaghan, Syriana

Best Original Screenplay
Noah Baumbach, The Squid and the Whale

Best Film or Mini-Series Made for Cable TV
Lackawanna Blues

Career Achievement
Jane Fonda

Career Achievement in Film Music Composition
Howard Shore

Outstanding Achievement in Special Effects
King Kong

Billy Wilder Award for Excellence in Direction
David Cronenberg

William K. Everson Award for Film History
George Feltenstein

Producer of the Year Award
Saul Zaentz

BEST TEN FILMS OF 2005
Brokeback Mountain
Capote
Crash
Good Night, And Good Luck
History of Violence
Match Point
Memoirs of a Geisha
Munich
Syriana
Walk the Line

BEST FIVE FOREIGN-LANGUAGE FILMS OF 2005
2046
Balzac and the Little Chinese Seamstress
Downfall
Paradise Now
Walk on Water

BEST FIVE DOCUMENTARIES OF 2005
Ballets Russes
Grizzly Man
Mad Hot Ballroom
March of the Penguins
Murderball

Special Recognition of Films That Reflect Freedom of Expression
Innocent Voices and The Untold Story of Emmett Louis Till

Special Mention for Excellence in Filmmaking
The National Board of Review, in keeping with its long tradition of recognizing excellence in filmmaking, is proud to salute the following films crafted by visionary artists, which demonstrate the creativity and determination always vital to the film industry.
Breakfast on Pluto
Cape of Good Hope
The Dying Gaul
Everything Is Illuminated
Hustle & Flow
Junebug
Layer Cake
Lord of War
Nine Lives
The Thing About My Folks
The Upside of Anger

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“Tarkovsky was sitting in the corner of the screening room watching the film with me, but he got up as soon as the film was over and looked at me with a shy smile. I said to him, ‘It’s very good. It’s a frightening movie.’ He seemed embarrassed but smiled happily. Then the two of us went to a film union restaurant and toasted with vodka. Tarkovsky, who does not usually drink, got completely drunk and cut off the speakers at the restaurant, then began singing the theme of Seven Samurai at the top of his voice. I joined in, eager to keep up. At that moment, I was very happy to be on Earth.”
~ Akira Kurosawa On Watching Solaris With Andrei Tarkovsky

“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

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