National Board of Review

2003 | 2005 | 2006 | 2007 | 2008 | 2009 | 2011 | 2013 | 2014

Awards: December 12, 2005

Best Film
Good Night, And Good Luck

Best Foreign Language Film
Paradise Now

Best Documentary
March of the Penguins

Best Animated Feature
Tim Burton’s Corpse Bride

Best Director
Ang Lee, Brokeback Mountain

Best Actor
Philip Seymour Hoffman, Capote

Best Actress
Felicity Huffman, TransAmerica

Best Supporting Actor
Jake Gyllenhaal, Brokeback Mountain

Best Supporting Actress
Gong Li, Memoirs of a Geisha

Best Acting By An Ensemble
Mrs. Henderson Presents

Breakthrough Performance Actor
Terrence Howard, Crash, Get Rich or Die Tryin’ and Hustle & Flow

Breakthrough Performance Actress
Q’Orianka Kilcher, The New World

Best Directorial Debut
Julian Fellowes, Separate Lies

Best Adapted Screenplay
Stephen Gaghan, Syriana

Best Original Screenplay
Noah Baumbach, The Squid and the Whale

Best Film or Mini-Series Made for Cable TV
Lackawanna Blues

Career Achievement
Jane Fonda

Career Achievement in Film Music Composition
Howard Shore

Outstanding Achievement in Special Effects
King Kong

Billy Wilder Award for Excellence in Direction
David Cronenberg

William K. Everson Award for Film History
George Feltenstein

Producer of the Year Award
Saul Zaentz

Brokeback Mountain
Good Night, And Good Luck
History of Violence
Match Point
Memoirs of a Geisha
Walk the Line

Balzac and the Little Chinese Seamstress
Paradise Now
Walk on Water

Ballets Russes
Grizzly Man
Mad Hot Ballroom
March of the Penguins

Special Recognition of Films That Reflect Freedom of Expression
Innocent Voices and The Untold Story of Emmett Louis Till

Special Mention for Excellence in Filmmaking
The National Board of Review, in keeping with its long tradition of recognizing excellence in filmmaking, is proud to salute the following films crafted by visionary artists, which demonstrate the creativity and determination always vital to the film industry.
Breakfast on Pluto
Cape of Good Hope
The Dying Gaul
Everything Is Illuminated
Hustle & Flow
Layer Cake
Lord of War
Nine Lives
The Thing About My Folks
The Upside of Anger

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“People used to love to call me a maverick, because I had a big mouth, and I’d say, ‘That bum!’ or something like that when I was young. Mainly, because I believed it, and I didn’t know there was anybody’s pain connected to the business. I was so young, I didn’t feel any pain. I just thought, ‘Why don’t they do some exciting, venturesome things? Why are they just sitting there, doing these dull pictures that have already been done many, many times, and calling them exciting? That’s a lie — they’re not exciting. Exciting is an experiment… That reputation keeps with you, through the years. Once the press calls you a maverick, it stays in their files. I’ll be dead five years, and they’ll still be saying, ‘That maverick son-of-a-bitch, he’s off in Colorado, making a movie.’ As if they really cared. You know, in this business, it’s all jealousy. I mean, this is the dumbest business I’ve ever seen in my life. If somebody gets married, they say, ‘It’ll never work.’ If somebody gets divorced, they say, ‘Good. I’ll give you my lawyer.’ If somebody loses a job, everyone will call him — to gloat. They’ll discuss it, they’ll be happy, they’ll have parties. I don’t understand how people that can see each other all the time, and be friends, can be so happy about each other’s demise.”
~ John Cassavetes


“There’s a culture of friendship in Latin American cinema, between people like Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro, which they in turn inherited from others. They’re a sensation of brotherhood, that people care abut you, look after you, which we’ve sought to maintain consciously. That ‘brotherhood’ is the best way to survive, to make better films, but it also a way of coming close to the biggest reason to make films. Filmmaking for me is like a fraternal act, like being with your family, and feeling that what we’re doing, when the film is over and makes some impact, is worth it. That intense encounter with all those people flowers, emanates for ever. You’re a kind of cousin, brother, lover, father, son of all those people with whom you worked. It’s a beautiful sensation.”
Gael García Bernal


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