Los Angeles Film Critics Association

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LOS ANGELES. Brokeback Mountain was voted Best Picture of the Year. It was announced tonight by Henry Sheehan, President of the Los Angeles Film Critics Association (LAFCA). The runner up was A History of Violence.

LAFCA’s 31st annual achievement awards ceremony will be held Thursday, January 17 at the Park Hyatt Hotel in Los Angeles.

Best Picture
Brokeback Mountain
Runner-up: A History of Violence

Best Director
Ang Lee, Brokeback Mountain
Runner-up: David Cronenberg, A History of Violence

Best Actor
Phillip Seymour Hoffman, Capote
Runner-up: Heath Ledger, Brokeback Mountain

Best Actress
Vera Farmiga, Down to the Bone
Runner-up: Dame Judi Dench, Mrs. Henderson Presents

Best Supporting Actor
William Hurt, A History of Violence
Runner-up: Frank Langella, Good Night, and Good Luck

Best Supporting Actress
Catherine Keener, The 40-Year-Old Virgin, Capote, The Ballad of Jack and Rose, & The Interpreter
Runner-up: Amy Adams, Junebug

Best Screenplay
TIE between
Dan Futterman, Capote
and
Noah Baumbach, The Squid & The Whale

Best Cinematography
Robert Elswit, Good Night, and Good Luck.
Runner-up: Chris Doyle, Kwan Pun Leung, Yiu-Fai Lai, 2046

Best Production Design
William Chang, 2046
Runner-up: James D. Bissell, Good Night, And Good Luck.

Best Music Score
Howl’s Moving Castle, Joe Hisaishi
Runner-up: Tony Takatani, Ryuichi Sakamoto

Best Foreign-Language Film
Cache, directed by Michael Haneke
Runner-up: 2046, directed by Wong Kar Wai

Best Documentary/Non-Fiction Film
Grizzly Man, directed by Werner Herzog
Runner-up: Enron: The Smartest Guys in the Room directed by Alex Gibney

Best Animation
Nick Park and Steve Box, Wallace & Gromit in The Curse of the Were-Rabbit

The Douglas Edwards Experimental/Independent Film/Video Award
La Commune (Paris, 1871) directed by Peter Watkins

New Generation Award
Terrence Howard

Career Achievement Award
Richard Widmark

Special Citation
To Kevin Thomas for his contribution to film culture in Los Angeles.
To David Shepard, Bruce Posner and the Anthology Film Archive to honor Unseen Cinema,an unprecedented 8-disc collection of films from 1894-1941.

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick