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Central Ohio Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2010 | 2012

Awards: January 12, 2005

Best Picture
A History of Violence
Runner up: Brokeback Mountain

Best Direction
David Cronenberg, A History of Violence
Runner up: Ang Lee, Brokeback Mountain

Best Lead Performance
Heath Ledger, Brokeback Mountain
Runner up: Reese Witherspoon, Walk the Line

Best Supporting Performance
Maria Bello, A History of Violence
Runner up: Amy Adams, Junebug

Actor of the Year
Heath Ledger
Brokeback Mountain, Casanova, Lords of Dogtown,
The Brothers Grimm
Runner up: Terrence Howard

Best Ensemble
The Cast of Munich
Runner up: The cast of Brokeback Mountain

Best Screenplay
Larry McMurtry and Diana Ossana, Brokeback Mountain
Runner up: George Clooney and Grant Heslov, Good Night, and Good Luck

Best Formal Design
Frank Miller’s Sin City
Runner up: Brokeback Mountain

Best Sound Design
War of the Worlds
Runner up: Walk the Line

Breakthrough Film Artist
Amy Adams, for her performance in Junebug
Runner up: Joe Wright, for directing Pride & Prejudice

Top Ten Films
A History of Violence
Brokeback Mountain
Wallace and Gromit in the Curse of the Were-Rabbit
Good Night, and Good Luck
Munich
Murderball
Crash
Frank Miller’s Sin City
Pride & Prejudice
Batman Begins

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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