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By Ray Pride Pride@moviecitynews.com

Kurt Vonnegut: the huge illiterate population can sure as hell watch a movie

In a Forbes special on communication, Kurt Vonnegut ventures about how to tell a story today: “All of the arts, with the exception of architecture, are practical jokes, making people respond emotionally and at no risk to themselves, because things aren’t really happening… What I do, which is becoming more and more impractical I think, is make people respond to idiosyncratic arrangements of 26 phonetic symbols and ten Arabic numbers in horizontal lines on a page. And there was a time when this was a form of home entertainment, and so it was worthwhile for people to learn how to read. But reading it is actually quite difficult… But ink on paper is no way to tell a story anymore. Film and movies are the best way to tell a story today… Because of our terrible high schools, we have a huge illiterate population, but they can sure as hell watch a movie.”

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Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest