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David Poland

By David Poland poland@moviecitynews.com

The 15 Headlines (of 50 From Last Week's 20 Weeks) That Still Work

Baby Is Lethal
Baby Love
Best Things In Life Are Freeman’s
Baby Scores Late Round Knockout
Five If By Air, Four If Baby
Aviator Wins Battle, Loses War
Yes Sir, That’s My Baby!
Eastwood Gets The Gold Pacifier For Baby
Two Swank!
Forgiven
Baby Needs A New Pair Of Oscars
Baby Fights Off Hughes To Take Crown
Down Goes Marty… Down Goes Marty!

One For Kaufman to Remember
Harvey Has Left The Auditorium

4 Responses to “The 15 Headlines (of 50 From Last Week's 20 Weeks) That Still Work”

  1. L&DB says:

    Im bored. Here are some of mine.
    Mediocrity rewarded, AGAIN!
    Rock Reveals Truth: African-Americans liked Saw!
    Scorcese Heart-Broken, Eastwood Enjoys His Misery
    Bjork video director has an Oscar. How that happen?
    Leo DiCaprio to Invest his own money in Female Boxers
    Security Issues at Oscars due to Giamatti apperance.
    Large breasted women disrupt Lumet’s Honorary Oscar Speech
    Oscar Reveals Beyonce to be “multi-talented”
    P-Diddy Mysterious Appearance at Oscars thanked to
    worm-hole.
    Jay-Z was actually at the Oscars.
    and the last one…
    OSCAR SHOCKER: Scorcese to clone self to guarantee
    a future Oscar win. “IF they dont reward this
    Scorcese, than Scorcese V.8 might have a better
    chance in 2069″-says Scorcese.

  2. KamikazeCamel says:

    “Bjork video director has an Oscar. How that happen?”
    a) have you SEEN the Bjork video clips? They’re 4 minute masterpieces!
    b) He got it by helping Charlie Kaufman write one of the best screenplays of the last decade

  3. L&Db says:

    I really use the English language in ways that some
    people do not pick up on things. Go read it again
    and see if you get what I am aiming at. I posted
    it in glee, not in discorn. Jesus, I speak 1
    percenter English. Oy to the vey. Indeed.

  4. flubber says:

    oh, BJORK CANT SPEAK ENGLIH HAHAHAHAHA I GET IT!!!!!!
    …lame joke

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima