
By David Poland poland@moviecitynews.com
Yes, I Will Be Commenting On Globes
But not until Hot Button tomorrow… don’t want to spoil it for west coasters and heading to parties at 8…

But not until Hot Button tomorrow… don’t want to spoil it for west coasters and heading to parties at 8…
LexG on: Review-ish: Star Trek: Into Darkness (spoiler-free)
hcat on: Review-ish: Star Trek: Into Darkness (spoiler-free)
LexG on: Trailer: The Wolverine
palmtree on: Trailer: The Wolverine
SamLowry on: Review-ish: Star Trek: Into Darkness (spoiler-free)
hcat on: Trailer: The Wolverine
Etguild2 on: Trailer: The Wolverine
Etguild2 on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
Foamy Squirrel on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
storymark on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
Weekend Estimates by Cap’n Klady
Review-ish: Star Trek: Into Darkness (spoiler-free)
DP/30: Erased, actor Aaron Eckhart
Cannes Day 2: Girls Just Wanna Have… (Part 2 of 2)
Cannes Day 2: Girls Just Wanna Have… (Part 1 of 2)
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RT @ColonelTribune: Appeals court rules bin Laden death photos can stay secret. http://t.co/TFPAbhqRbA
RT @Digidave: @fmanjoo Story behind NPR voice guy here: http://t.co/DtlAQ2ASot Things you never knew.
RT @romenesko: NPR is looking for someone to say "This is NPR" and “Support for this program comes from…” http://t.co/ezHv5VPPSL
DP: Harvey Weinstein just drove by. Only word I could hear him say was “fucking.”
DP: It’d be all to easy to discount Michael Douglas’ all-in perf as Liberace b/c Liberace was so flamboyant. But he walks the line perfectly
Sunday, May 19 2013 12:52:48
“Two hours in the labyrinth of Paramount’s Avarice…. It was my first–and my last–IMAX venture. Haven’t been to a 3-D movie in years, and it’s bye-bye to THAT scathing visual transgression for the remainder of MY lifetime… It was an unceasing, unrelenting, take-no-audience-prisoners audial and visual back-alley mugging for two hours… I have been beaten up many times; I know what it feels like: this was a two-hour assault. I weep, as Jesus wept, for the generations that will grow up thinking this is what it means to “go to the movies.” I am near-on 79, and I [understand] that this is a generational opinion, but I do not think any sensible person not of a tot age where videogame… overkill is pro forma, could confuse the IMAX “experience” with a Saturday matinee outing. The term “author” as regards Summer Blockbuster movies, is not only moot, it is Urdu. Mountains heave mightily, and give birth to volcanic ant-hills.”
~ Harlan Ellison Takes In Star Trek: Into Darkness
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell

Did I fall alseep or something, or were the Supporting awards not given out during the three-hour broadcast?
im just gonna say that was fairly all over the place, which i guess is better than the alternative. nice to see everything (almost) come home with a win. the closer wins deeply surprise, if not disturb me.
forgot to mention, these awards are prolly paid off, but its great to see that everyones paying this time rather than just mirimax
Ooops. Looks like I missed the Support awards in the first few minutes of the program. Never mind.
two actors win for the ‘cold’est-feeling story of the year, Closer, which was a shock (lost money in a bet now) as well as the comment by Owen that it would increase Revenue! (there was alot of future ‘stumping’…Kate Hudson being introduced as the star of Skeleton Key etc). Also a pleasant shock for the Sea Inside, but alas not for Javier, although it was an award for the ladies when the camera lit upon him numerous times in the broadcast.
Teri Hatcher and Marc Cherry tie for the Sally Field honorary “you really like me!” award…and I was glad.
sad thing is, Motorcycle Diaries, Shaun of the dead and Rwanda will likely be all forgotten now and it will be a three-way battle to the death for Aviator, Sideways and Million-dollar baby.
Not sure about Rwanda being forgotten. Seem to had the most support of the actors tonight. I can see It and Don pulling the SAG upset.
It was a big night for The Aviator, Sideways, Million Dollar Baby, and, a bit surprisingly, Closer.
The real loser was Finding Neverland, which was completely shut out. And while other films at least had rooting contingencies in the ballroom (e.g., Hotel Rwanda, Kinsey, Eternal Sunshine), FN didn’t get anything more than respectful applause for any of its nominees. If that audience was in any way representative of the Academy, I wouldn’t be surprised if there’s a big drop-off for FN when the Oscar noms are announced next week.
Is it just me, or did Foxx’s speech pretty much lock his Oscar win at this point? The Academy loves a gracious winner, and he hit all the right points. Put DiCaprio to shame, but quite honestly, how do you top that?
the globes only added to the confusion and made the academy awards a real crap shoot. sideways, baby and aviator all with major awards here
“The Academy loves a gracious winner, and he hit all the right points. Put DiCaprio to shame, but quite honestly, how do you top that?”
How, exactly, did Jamie Foxx put DiCaprio to shame? I thought Leo’s speech was better. Foxx’s sounded like he was thanking everything and everyone possibly.
I don’t understand how people can praise Foxx’s speech but then critisise Julia Roberts for her Erin Brockovich speech. They were basically the same. But, unlike Julia, Jamie’s career hasn’t been nearly as good and it’s not like he’s been nominated heaps of time and lost, its his first year. He just went on and on and on and on and…
Oh, and what was with Annette Bening’s Mrs. Roboto speech?
Foxx’s speech was great. He was gracious, confident, funny and touching in the span of 3 minutes.
Yes Esotsm had a strong cheering section, as did Ray. Surpise at lack of love for Neverland and Johnny, felt sorry for poor Liam. Not overly strong for the Avitor or Leo through. Also sound like Kate and Staunton was up there with Hillary and Benning seem to have yes love.
I mean less love for Benning, not yes? Need more sleep.
i can see portman winning but clive owen? come on. anytime ur the lead in the worst movie of the yr, king arthur, it should preclude u from winning any acting awards.
Looks like the Golden Globes got thumped in the ratings. Not as badly as the People’s Choice Awards and the BFCA awards, mind you, but thumped nonetheless. Once again, I ask: Are people not tuning in because “awards fatigue” truly has set in? Or are people simply not turned on by this year’s crop of nominees?
I think it has to do with the nominees this year. My sister and her friends (college freshmen) have not even heard of Sideways or Million Dollar Baby, nor Finding Neverland for that matter. They couldn’t tell you who’s in them or what they’re about. They’re somewhat familiar with The Aviator, but none of them has seen it or cares if they ever do. I think this is true of a lot of people of a variety of ages. Either they aren’t interested in many of the nominees or they haven’t even heard of them.
I agree that the low ratings have to do with the nominees. Part of the problem is the way so many of the Oscar movies get dumped into the marketplace at the end of the year. While this tactic may be successful at keeping those movies fresh in the memories of the Academy and other award-givers, it’s deadly for the shows’ ratings. The public for the most part simply hasn’t seen the nominated films (many of which haven’t even been released in their communities) and therefore has no rooting interest in the shows. But when you have a blockbuster like Titanic or Return of the King in the mix, viewers have a familiar film for which they can tune in and cheer on, and the ratings jump up accordingly.
None of which is to say that any of these ratings factors influence voting.
Sideways has been out for months. And Neverland has Depp at least. But Baby has some definate marketig issues.
Sideways has been out for a while, but it’s in limited release and it has no recognizable stars. Many people literally have never heard of it, much less seen it.
Anyone dissing Clive Owen has to be either a fool
or not well informed. Bringing up King Authur
as the PENTULTIMATE moment in his career makes
absolutely no sense. The guy has more screen
presence than just about every actor out there.
Him winning an award from that silly adult version
of DAWSON’S CREEK makes me happy. Portman should
be nomimated by the Academy however, for Garden
State. If not; SHENANIGANS!
The coldest movie of the year remains Sideways.
Closer seems like a nice brunch after watching
that void-fest. At least Virginia Madsen remains
hot.
The guy was the lead in King Arthur. It has to count for something here. How do you go from that to an Oscar?
How do you go from Beverly Hills, 90210 to an Oscar?
Wasn’t in the same year. We forgave Hillary after a few years for slumming.
Wasn’t Hillary in “The Core” just a year before “M$B”?
There’s a perfect word for your line of reasoning here, Mark: Prejudice. Make no mistake about it – you are contending people should vote based on prejudice.
How very Republican of you.
The same way you go from Booty Call to Oscar, I guess…
Hilary had her Oscar before she did the Core. Artists can shill for a salary after they have their award. Its common knowledge.
I feel Mr Foxx deserved an Oscar for the great period film, Bait. It was unrivaled in sheer thrills and story. He gave a career making performance.
For the record, I did not submit the 7:03 posting. As long as David Poland allows people to submit fake postings under my name and e-mail address, I am going to have to post these corrections. Don’t blame me, blame them.
Yes, you did, hun. I saw you.
I have to concur with the assessment of Annette Benning’s speech. She appeared to be in the midst of a Xanax-fueled state of emotional flatline. Conversely, Hillary Swank needs to take the verbal fellatio down a few notches. How uncomfortable did Clint look when Swank was up there spewing about his cinematic genius? Take it down a notch, Hill.
I am from Mexico and CLOSER just arrived last friday, and I can´t believe people didn´t like it. It was stylish, with great (hard and different) performances, intimate and very, very clever. They are all oscar worthy.