Online Film Critics Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012 | 2013

THE WINNERS

BEST PICTURE
Eternal Sunshine of the Spotless Mind

BEST DIRECTOR
Michel Gondry, Eternal Sunshine of the Spotless Mind

BEST ACTOR
Paul Giamatti, Sideways

BEST ACTRESS
Kate Winslet, Eternal Sunshine of the Spotless Mind

BEST SUPPORTING ACTOR
Thomas Haden Church, Sideways

BEST SUPPORTING ACTRESS
Cate Blanchett, The Aviator

BEST ORIGINAL SCREENPLAY
Eternal Sunshine of the Spotless Mind,
Screenplay by Charlie Kaufman, Story By Charlie Kaufman and Michel Gondry and Pierre Bismuth

BEST ADAPTED SCREENPLAY
Sideways
Screenplay by Alexander Payne and Jim Taylor, based on the novel by Rex Pickett

BEST CINEMATOGRAPHY
Hero, Christopher Doyle

BEST EDITING
Eternal Sunshine of the Spotless Mind, Valdís Óskarsdóttir

BEST ORIGINAL SCORE
The Incredibles, Michael Giacchino

BEST DOCUMENTARY
Fahrenheit 9/11, Michael Moore

BEST FOREIGN LANGUAGE (NON-ENGLISH) FILM
Hero, China

BEST ANIMATED FEATURE
The Incredibles

BEST BREAKTHROUGH FILMMAKER
Zach Braff, Garden State

BEST BREAKTHROUGH PERFORMANCE
Catalina Sandrino Morengo, Maria Full of Grace

THE NOMINEES

BEST PICTURE
Before Sunset
Eternal Sunshine of the Spotless Mind
Garden State
The Incredibles
Sideways

BEST DIRECTOR
Clint Eastwood, Million Dollar Baby
Michel Gondry, Eternal Sunshine of the Spotless Mind
Alexander Payne, Sideways
Martin Scorsese, The Aviator
Zhang Yimou, Hero

BEST ACTOR
Jim Carrey, Eternal Sunshine of the Spotless Mind
Don Cheadle, Hotel Rwanda
Leonardo DiCaprio, The Aviator
Jamie Foxx, Ray
Paul Giamatti, Sideways

BEST ACTRESS
Julie Delpy, Before Sunset
Imelda Staunton, Vera Drake
Hilary Swank, Million Dollar Baby
Uma Thurman, Kill Bill Volume 2
Kate Winslet, Eternal Sunshine of the Spotless Mind

BEST SUPPORTING ACTOR
David Carradine, Kill Bill Volume 2
Thomas Haden Church, Sideways
Jamie Foxx, Collateral
Clive Owen, Closer
Peter Sarsgaard, Kinsey

BEST SUPPORTING ACTRESS
Cate Blanchett, The Aviator
Laura Linney, Kinsey
Virginia Madsen, Sideways
Natalie Portman, Closer
Sharon Warren, Ray

BEST ORIGINAL SCREENPLAY
Eternal Sunshine of the Spotless Mind, Screenplay by Charlie Kaufman, Story By Charlie Kaufman and Michel Gondry and Pierre Bismuth
Garden State, Screenplay by Zach Braff
The Incredibles, Screenplay by Brad Bird
Kill Bill Volume 2, Screenplay by Quentin Tarantino
Shaun of the Dead, Screenplay by Simon Pegg and Edgar Wright

BEST ADAPTED SCREENPLAY
Before Sunset, Screenplay by Richard Linklater and Julie Delpy and Ethan Hawke,
based on characters and a story created by Richard Linklater and Kim Krizan
Closer, Screenplay by Patrick Mauber, based on his play
Million Dollar Baby, Screenplay by Paul Haggis, based on the stories by F.X. Toole
The Motorcycle Diaries, Jose Rivera, based on the books Notas de Viaje by
Ernesto Guevara and Con el Che por America Latina by Alberto Granado
Sideways, Screenplay by Alexander Payne and Jim Taylor, based on the novel by
Rex Pickett

BEST CINEMATOGRAPHY
The Aviator, Robert Richardson
Collateral, Dion Beebe and Paul Cameron
Eternal Sunshine of the Spotless Mind, Ellen Kuras
Hero, Christopher Doyle
House of Flying Daggers, Xiaoding Zhao

BEST EDITING
The Aviator, Thelma Schoonmaker
Eternal Sunshine of the Spotless Mind, Valdís Óskarsdóttir
Hero, Angie Lam and Vincent Lee and Ru Zhai
House of Flying Daggers, Long Cheng
Kill Bill Volume 2, Sally Menke

BEST ORIGINAL SCORE
The Aviator, Howard Shore
Birth, Alexandre Desplat
Eternal Sunshine of the Spotless Mind, Jon Brion
Hero, Tan Dun
The Incredibles, Michael Giacchino

BEST DOCUMENTARY
Control Room, Jehane Noujaim
Fahrenheit 9/11, Michael Moore
Metallica: Some Kind of Monster, Joe Berlinger and Bruce Sinofsky
Super Size Me, Morgan Spurlock
Touching the Void, Kevin Macdonald

BEST FOREIGN LANGUAGE (NON-ENGLISH) FILM
Hero, China
House of Flying Daggers, China
Maria Full of Grace, United States / Colombia
The Motorcycle Diaries, United States / Germany / United Kingdom / Argentina /
Chile / Peru
A Very Long Engagement, France

BEST ANIMATED FEATURE
Ghost in the Shell 2: Innocence
The Incredibles
The Polar Express
Shrek 2
Team America: World Police

BEST BREAKTHROUGH FILMMAKER
Zach Braff, Garden State
Kerry Conran, Sky Captain and the World of Tomorrow
Jared Hess, Napoleon Dynamite
Joshua Marston, Maria Full of Grace
Edgar Wright, Shaun of the Dead

BEST BREAKTHROUGH PERFORMANCE
Zach Braff, Garden State
Bryce Dallas Howard, The Village
Jon Heder, Napoleon Dynamite
Catalina Sandrino Morengo, Maria Full of Grace
Emmy Rossum, The Phantom of the Opera

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray