Dallas-Ft. Worth Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Best Picture
Million Dollar Baby

Best Director
Martin Scorsese for The Aviator

Best Actor
Paul Giamatti for Sideways

Best Actress
Hilary Swank for Million Dollar Baby

Best Supporting Actor
Thomas Haden Church for Sideways

Best Supporting Actress
Virginia Madsen for Sideways

Best Foreign-Language Film
A Very Long Engagement

Best Animated Film
The Incredibles

Best Documentary
Fahrenheit 9/11

Russell Smith Award
Maria Full of Grace

Top Ten of the Year:
1. Million Dollar Baby
2. Sideways
3. Finding Neverland
4. The Aviator
5. Eternal Sunshine of the Spotless Mind
6. Ray
7. Kinsey
8. The Incredibles
9. A Very Long Engagement
10. Hotel Rwanda

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“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West