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Boston Film Critics

2003 | 2004 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014

Best Film
Sideways
Runner-up: Before Sunset

Best Foreign Language Film
House of Flying Daggers
Runner-up: Very Long Engagement

Best Director
Zhang Yimou (House of Flying Daggers)
Runner-up: Alexander Payne

Best Documentary
Control Room
Runner-up: Touching the Void

Best Actor
Jamie Foxx, Ray
Runner-up: Paul Giamatti

Best Actress
Hilary Swank, Million Dollar Baby
Runner-up: Annette Bening/Kim Basinger (tie)

Best Supporting Actor
Thomas Haden Church, Sideways
Runner-up: Clive Owen

Best Supporting Actress
Laura Dern and Sharon Warren (tie)
Runner-up: Cate Blanchett (Aviator)

Best Screenplay
Sideways
Runner-up: Eternal Sunshine

Best New Filmmaker
Jonathan Caouette
Runners-up: the directors of The Woodsman and Maria Full of Grace (tie)

Best Cinematography
House of Flying Daggers
Runner-up: Very Long Engagement

Best Ensemble Cast
Sideways
Runner-up: The Life Aquatic

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“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

“When the writing is flowing, I am powerful and cheerful and can’t imagine it ever being otherwise. And when the writing becomes blocked, I am crestfallen and palsied, and there, too, I can’t imagine it ever being otherwise. In either case, my visions of the future are at all times characterized by a spurious permanence.”
~ Oliver Sacks To Lawrence Wechsler

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