Boston Film Critics

2003 | 2004 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014

Best Film
Sideways
Runner-up: Before Sunset

Best Foreign Language Film
House of Flying Daggers
Runner-up: Very Long Engagement

Best Director
Zhang Yimou (House of Flying Daggers)
Runner-up: Alexander Payne

Best Documentary
Control Room
Runner-up: Touching the Void

Best Actor
Jamie Foxx, Ray
Runner-up: Paul Giamatti

Best Actress
Hilary Swank, Million Dollar Baby
Runner-up: Annette Bening/Kim Basinger (tie)

Best Supporting Actor
Thomas Haden Church, Sideways
Runner-up: Clive Owen

Best Supporting Actress
Laura Dern and Sharon Warren (tie)
Runner-up: Cate Blanchett (Aviator)

Best Screenplay
Sideways
Runner-up: Eternal Sunshine

Best New Filmmaker
Jonathan Caouette
Runners-up: the directors of The Woodsman and Maria Full of Grace (tie)

Best Cinematography
House of Flying Daggers
Runner-up: Very Long Engagement

Best Ensemble Cast
Sideways
Runner-up: The Life Aquatic

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“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o