The Golden Reel Sound Editors Guild Nominations

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Best Sound Editing – Domestic Feature Film
The Italian Job
Kill Bill, Vol. 1
The Last Samurai
Master and Commander: The Far Side of the World
The Matrix Reloaded
Open Range
Pirates of the Caribbean: The Curse of the Black Pearl
Seabiscuit
Terminator 3: Rise of the Machines

Best Sound Editing – Music – Feature Film
Cold Mountain
Gods and Generals
Jeepers Creepers 2
Kill Bill, Vol. 1
The Lord of the Rings: The Return of the King
Pirates of the Caribbean: The Curse of the Black Pearl
Something’s Gotta Give
Underworld

Best Sound Editing – Dialogue – Feature Film
2 Fast 2 Furious
Dreamcatcher
The Last Samurai
Master and Commander: The Far Side of the World
Mystic River
Pirates of the Caribbean: The Curse of the Black Pearl
Seabiscuit
X2: X-Men United

Best Sound Editing – Foreign – Feature Film
28 Days Later
City of God
Cold Mountain
Dust
The Lord of the Rings: The Return of the King
Underworld
Veronica Guerin
Whale Rider

Best Sound Editing – Music – Musical Feature
The Company
The Fighting Temptations
A Mighty Wind
School of Rock

Best Sound Editing – Music – Animated Feature
Brother Bear
Finding Nemo
The Jungle Book 2

Best Sound Editing – Animated Feature
Brother Bear
Finding Nemo
The Jungle Book 2
Millennium Actress
Rugrats Go Wild
Sinbad: Legend of the Seven Seas
The Triplets of Belleville

Television Nominations

Best Sound Editing – Longform Television
44 Minutes
And Starring Pancho Villa as Himself
Helen of Troy
Hitler: The Rise of Evil
Ice Bound
The Salem Witch Trials
Saving Jessica Lynch
Word of Honor

Best Sound Editing – Music – Longform Television
And Starring Pancho Villa as Himself
DreamKeeper
Hitler: The Rise of Evil
The Music Man
Wuthering Heights

Best Sound Editing – Dialogue – Longform Television
And Starring Pancho Villa as Himself
Going for Broke
Hitler: The Rise of Evil
Julius Caesar
The Music Man
The Salem Witch Trials
Saving Jessica Lynch
Twelve Mile Road
Unspeakable

Best Sound Editing – Episodic Television
Alias
Carnivale
CSI: Crime Scene Investigation
CSI: Miami
ER
Smallville
Third Watch
Without a Trace

Best Sound Editing – Music – Episodic Television
American Dreams
Queer As Folk
Scrubs
Sex and the City
Watching Ellie

Best Sound Editing – Dialogue – Episodic Television
American Dreams
Carnivale
The District
ER
Six Feet Under
Third Watch
The West Wing
Without a Trace

Best Sound Editing – Television Animation
The Adventures of Jimmy Neutron
Dinosaur Planet
The Fairly Odd Parents
He-Man and the Masters of the Universe
Justice Leauge
SpongeBob Squarepants
Teen Titans
Xiaolin Showdown

Best Sound Editing – Music – Television Animation
Dexter’s Laboratory
Johnny Bravo
Lilo & Stitch
Mucha LuchaSpongeBob Squarepants

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott