Golden Globes Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Winners

BEST MOTION PICTURE – DRAMA
Lord of the Rings: The Return of the King

Cold Mountain
Master and Commander: The Far Side of the World
Mystic River
Seabiscuit

BEST MOTION PICTURE – MUSICAL OR COMEDY
Lost in Translation

Bend It Like Beckham
Big Fish
Finding Nemo
Love Actually

BEST DIRECTOR – MOTION PICTURE
Peter Jackson
Lord of the Rings: The Return of the King

Sofia Coppola – “Lost in Translation”
Clint Eastwood – “Mystic River”
Anthony Minghella – “Cold Mountain”
Peter Weir – “Master & Commander”

BEST PERFORMANCE BY AN ACTRESS  IN A MOTION PICTURE DRAMA
Charlize Theron – Monster

Cate Blanchett – “Veronica Guerin”
Scarlett Johansson – “Girl With A Pearl Earring”
Nicole Kidman – “Cold Mountain”
Uma Thurman – “Kill Bill, Volume One”
Evan Rachel Wood – “Thirteen”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Sean Penn – Mystic River

Russell Crowe – “Master and Commander”
Tom Cruise – “The Last Samurai”
Sir Ben Kingsley – “House of Sand and Fog”
Jude Law – “Cold Mountain”

BEST PERFORMANCE BY AN ACTOR  IN A MOTION PICTURE -MUSICAL OR COMEDY
Bill Murray – Lost in Translation

Jack Black – “School Of Rock”
Johnny Depp – “Pirates of the Caribbean”
Bill Murray – “Lost in Translation”
Jack Nicholson – “Something’s Gotta Give”
Billy Bob Thornton – “Bad Santa”
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
Diane Keaton – Something’s Gotta Give

Jamie Lee Curtis – “Freaky Friday”
Scarlett Johansson – “Lost in Translation”
Diane Lane – “Under The Tuscan Sun”
Helen Mirren – “Calendar Girls”

BEST PERFORMANCE BY AN ACTRESS  IN A SUPPORTING ROLE IN A MOTION PICTURE
Renee Zellweger – Cold Mountain

Maria Bello – “The Cooler”
Patricia Clarkson – “Pieces of April”
Hope Davis – “American Splendor”
Holly Hunter – “Thirteen”

BEST PERFORMANCE BY AN ACTOR  IN A SUPPORTING ROLE IN A MOTION PICTURE
Tim Robbins – Mystic River

Alec Baldwin – “The Cooler”
Albert Finney – “Big Fish”
William H. Macy – “Seabiscuit”
Peter Sarsgaard – “Shattered Glass”
Ken Watanabe – “The Last Samurai”

BEST FOREIGN LANGUAGE FILM
Osama (United Arists)

The Barbarian Invasions (Miramax)
Good Bye Lenin (Sony Classics)
Monsieur Ibrahim (Sony Classics)
The Return (Kino International)

BEST SCREENPLAY – MOTION PICTURE
Sofia Coppola – Lost in Translation

Richard Curtis – “Love Actually”
Brian Helgeland – “Mystic River”
Anthony Minghella – “Cold Mountain”
Jim Sheridan, Kirsten Sheridan, and Naomi Sheridan – “In America”

BEST ORIGINAL SONG – MOTION PICTURE
“Into The West” by Howard Shore, Fran Walsh and Annie Lennox From Lord of the Rings: The Return of the King
“The Heart of Every Girl” by Elton John and Bernie Taupin performed by Elton John from “Mona Lisa Smile”
“Man of the Hour” by Eddie Vedder performed by Pearl Jam from “Big Fish”
“Time Enough for Tears” by Bono, Gavin Friday and Maurice Seezer performed Andrea Corr from “In America”
“You Will Be My Own True Love” by Sting from “Cold Mountain”

BEST ORIGINAL SCORE – MOTION PICTURE
Howard Shore
Lord of the Rings: The Return of the King
Alexandre Desplat – “Girl With A Pearl Earring”
Danny Elfman – “Big Fish”
Gabriel Yared – “Cold Mountain”Hans Zimmer – “The Last Samurai”

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier