American Cinema Editors

2003 | 2005 | 2006 | 2008 | 2009 | 2010

BEST FILM EDITING (DRAMA)
Lord of the Rings: The Return of the King

BEST FILM EDITING (COMEDY)
Pirates of the Caribbean

BEST FILM EDITING (DOCUMENTARY)
Spellbound
Best Film Editing – Half Hour Television Series
Will & Grace – “Last Ex to Brooklyn” – Peter Chakos

Best Film Editing – Hour Television Series
24 – “10 P.M. – 11 P.M.” – Scott Powell

Best Film Editing – Television Miniseries or Movie – Noncommerical
Angels in America – “Part 1″ – John Bloom, Antonia Van Drmmelen

Best Film Editing – Television Miniseries or Movie – Commerical
Caesar – “Part 2″ – Mark Conte

Robert Wise Award
Sheigh Crabtree

Lifetime Achievement Award
Donn Cambern
John A. Martinelli

Golden Eddie Filmmaker of the Year
Garry Marshall

AMERICAN CINEMA EDITORS NOMINATIONS 2003

BEST FILM EDITING (DRAMA)
Cold Mountain
Master and Commander
Mystic River
The Return of the King
Seabiscuit

BEST FILM EDITING (COMEDY)
Bend It Like Beckham
Finding Nemo
Lost in Translation
Pirates of the Caribbean
School of Rock

BEST FILM EDITING (DOCUMENTARY)
Capturing the Friedmans
The Fog of War
Spellbound

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“I had this friend who was my roommate for a while. She seemed really normal in every way except that she wouldn’t buy shampoo. She would only use my shampoo. And after a year it’s like, “When are you going to buy your own shampoo?” It was her way of digging in her heels. It was a certain sense of entitlement, or a certain anger. It was so interesting to me why she wouldn’t buy her own fucking shampoo. It was like,“I’m gonna use yours.” It was coming from a place of “You have more money than me, I just know it”—whether I did or I didn’t. Or maybe she felt, “You have a better life than me,” or “You have a better room than me in the apartment.” It was hostile. And she was a really close friend! There was never any other shampoo and I knew she was washing her hair. And clearly I have a thing about shampoo, as we see in ‘Friends with Money.’ I had some nice shampoo. So I found that psychologically so interesting how a person can function normally in every way and yet have this aberrance—it’s like a skip in the record. It was a sense of entitlement, I think. I put that in Olivia’s character, too, with her stealing someone’s face cream.”
Nicole Holofcener

“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady