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David Poland

By David Poland poland@moviecitynews.com

Geena Davis in Talks for Sailor Moon

Geena Davis is in talks to be first on board Disney’s live-action version of the Japanese TV anime, Sailor Moon. The show is about teenage girls with super powers and enormous eyes, leaving Davis to the role of evil Queen Beryl, who is trying to destroy the earth. The Hot Button suggests a cast of actresses who can still pretend to be teens and who have eyes so large that they appear to be human incarnations of velvet paintings of unhappy clowns and orphans: Winona Ryder, Heather Graham, Elizabeth Shue during her The Saint period, and the late, great Marty Feldman, resurrected and in drag for this important cinematic achievement.
O.J. Simpson prosecutor Christopher Darden got married last week to Rysher Entertainment exec Marcia Carter. Within hours of the nuptials, Darden was claiming that the failure of such Rysher films as A Smile Like Yours, The Evening Star, White Man’s Burden, Dear God and Turbulance (this is the short list, folks!) was the responsibility of O.J. Simpson. When reminded that Simpson was in court while these films were developed, Darden blamed Judge Ito. He then claimed that releasing studio Paramount was playing the Dud Card, when they released the films in theaters instead of prisons. It’s OK, Chris. It’s over man! You can stop making excuses.
First Joe Eszterhas‘ poison pen letter to Hollywood, Alan Smithee: Burn Hollywood Burn, had its very own director, Arthur Hiller, yank his name off the film, replaced by the traditional “I-Don’t-Want-To-Be-Associated- With-This-Crap” psuedonym, Alan Smithee. Now, it’s been pushed by distributor Disney all the way until next March, and even then, is scheduled for just a 20-city test release. Irony rears its ugly head, as the film about getting screwed in Hollywood gets screwed for the most traditional reason in Hollywood; the film stinks and no one wants to see it.
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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier