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David Poland

By David Poland poland@moviecitynews.com

Can You Hear the Distant Thunder of the Big Fall movies?

They’re getting closer. But in the meantime, Sony’s giving us Gattaca and I Know What You Did Last Summer instead of Starship Troopers. Fox is giving us A Life Less Ordinary instead of Alien Resurrection. And Disney is staying out of the fray altogether until it’s ready to smash the animated classic/Robin Williams 2X4 over the head of Fox’s Anastasia.
Gattaca should open on top of the box office crowd with around $12 million. Sony is marketing as fast as they can, but the weird title and soft reviews are keeping the buzz from exploding. Seems like Sony sated a chunk of Gattaca’s audience last weekend with its other genre movie, I Know What You Did Last Summer, which should take the standard 35 percent drop to $10.3 million for second place. The Devil’s Advocate should retain its “Number One Devil As Lawyer Movie In America” title with a 30 perecent drop to $8.5 million. Then, there’s a huge holdover drop, down to a likely third week showdown between Kiss the Girls and Seven Years In Tibet for fifth and sixth at around $4.2 million. Sneaking into that gap, A Life Less Ordinary should fall in love with fourth spot with around $6 million.
Fairy Tale: A True Story is a hard sell in a weak kids market, seamlessly opening in the now-gone Rocketman’s seventh slot with $3 million. In & Out is heading toward the latter with about $2.6 million for eighth place. Over the lips and through the gums, look out cable, here comes Soul Food — ninth with $2 million. And rounding out the top 10, one must acknowledge Bean, the Rowan Atkinson comedy that’s already broken the $100 million mark in foreign release and domestically has only opened in Canada — yes, Canada is part of the domestic box office — to the tune of more than $2 million.
Finally, Boogie Nights expands to 50 screens and should pull in a little over $1.25 million before opening wide on Halloween. That’s quite a costume, Marky Mark!
What are you planning to wear for Halloween? Actually, I don’t care, but if you have something to say, email me.

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“It would be difficult to find something made by a human being that isn’t pregnant with a vision of the world. Likely impossible. It’s inherent to existence. It turns out that world visions can coincide with a certain hegemonic idea of what the world is —or not. It’s like when they say that “indie cinema” is intellectual, simply because it does not coincide with a narrative system the industry legitimates. But the industry is as intellectual as ‘indie’ movies. The difference is that one affirms reality, doesn’t call it into question. And not all ‘art movies’ are after that. You’ve got to call reality into doubt. Or better yet, I’d say you’ve got to be suspicious of reality. Because if you’re not, there’s no possible transformation. Every one of us who has done cinema —to speak just of moviemaking— has contributed our perspectives to a vision of the world. A community needs that —lots of perspectives. There will be times when some are valued more than others. But the really important thing is that a lot of different visions coexist. The big task is to facilitate that variety.”
~ Lucrecia Martel

“It’s a film festival’s job—and increasingly so—to create moments of recognition, of enjoyment, of shock, of learning. Not of consumerism. Not of implementing cultural policy. But moments without pretence, unclouded by vested interests, by intervention, by cynicism, by everyday business. Committed to nothing but the thing itself. Under obligation to nothing, to no one, not even to the filmmakers themselves. To basically seek access to a form that does not yet exist, a place no one has been to, a time that has not yet come. ’A form that thinks, and a thought that forms,’ as Jean-Luc Godard has it.”
~ Hans Hurch, late director of the Viennale