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David Poland

By David Poland poland@moviecitynews.com

Can You Hear the Distant Thunder of the Big Fall movies?

They’re getting closer. But in the meantime, Sony’s giving us Gattaca and I Know What You Did Last Summer instead of Starship Troopers. Fox is giving us A Life Less Ordinary instead of Alien Resurrection. And Disney is staying out of the fray altogether until it’s ready to smash the animated classic/Robin Williams 2X4 over the head of Fox’s Anastasia.
Gattaca should open on top of the box office crowd with around $12 million. Sony is marketing as fast as they can, but the weird title and soft reviews are keeping the buzz from exploding. Seems like Sony sated a chunk of Gattaca’s audience last weekend with its other genre movie, I Know What You Did Last Summer, which should take the standard 35 percent drop to $10.3 million for second place. The Devil’s Advocate should retain its “Number One Devil As Lawyer Movie In America” title with a 30 perecent drop to $8.5 million. Then, there’s a huge holdover drop, down to a likely third week showdown between Kiss the Girls and Seven Years In Tibet for fifth and sixth at around $4.2 million. Sneaking into that gap, A Life Less Ordinary should fall in love with fourth spot with around $6 million.
Fairy Tale: A True Story is a hard sell in a weak kids market, seamlessly opening in the now-gone Rocketman’s seventh slot with $3 million. In & Out is heading toward the latter with about $2.6 million for eighth place. Over the lips and through the gums, look out cable, here comes Soul Food — ninth with $2 million. And rounding out the top 10, one must acknowledge Bean, the Rowan Atkinson comedy that’s already broken the $100 million mark in foreign release and domestically has only opened in Canada — yes, Canada is part of the domestic box office — to the tune of more than $2 million.
Finally, Boogie Nights expands to 50 screens and should pull in a little over $1.25 million before opening wide on Halloween. That’s quite a costume, Marky Mark!
What are you planning to wear for Halloween? Actually, I don’t care, but if you have something to say, email me.

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”