MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Wednesday, 17 September 1997

Jodie Foster is set to direct and produce Flora Plum. Disney describes the picture as All About Eve set in a circus atmosphere. Some sample dialogue: Flora: “Fasten your seat belts, it’s going to be a bumpy night!” Ringmaster: “That isn’t the night. The elephants just walked through here!” OR Flora to the elephants: “I’m still not to be had for the price of a salted peanut!”
READER HOT BUTTON DU JOUR:
From Amy Taylor of the Northwest: One “Hot Button” I personally have, is spec scripts such as Cowboys and Aliens, or Earth Dick (no, not soft porn!), being purchased for six figures. I bet my 8-year-old could come up with a better idea than those, or at least a better title! In all honesty, however, I am certain if they were my clients, I would have laughed all the way to the bank!
Thanks for your thoughts, Amy. You’ll be thrilled to read the next item.
The Thunderbirds is being prepped as a live-action film based on the hit 1960s U.K. TV series that featured marionettes as 21st century space heroes. The Hot Button’s wooden casting suggestions: Jason Patric as Anyone Who Has To Talk, Shaquille O’Neal as Anyone Who’s Not A Freak, Matthew McConaughey as Anyone Smart and Marky Mark Wahlberg’s prosthetic device from Boogie Nights as The Ultimate Force Of Nature.
E-Mail Dave with the issues that get your button hot!

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“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight