MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Wednesday, 17 September 1997

Jodie Foster is set to direct and produce Flora Plum. Disney describes the picture as All About Eve set in a circus atmosphere. Some sample dialogue: Flora: “Fasten your seat belts, it’s going to be a bumpy night!” Ringmaster: “That isn’t the night. The elephants just walked through here!” OR Flora to the elephants: “I’m still not to be had for the price of a salted peanut!”
From Amy Taylor of the Northwest: One “Hot Button” I personally have, is spec scripts such as Cowboys and Aliens, or Earth Dick (no, not soft porn!), being purchased for six figures. I bet my 8-year-old could come up with a better idea than those, or at least a better title! In all honesty, however, I am certain if they were my clients, I would have laughed all the way to the bank!
Thanks for your thoughts, Amy. You’ll be thrilled to read the next item.
The Thunderbirds is being prepped as a live-action film based on the hit 1960s U.K. TV series that featured marionettes as 21st century space heroes. The Hot Button’s wooden casting suggestions: Jason Patric as Anyone Who Has To Talk, Shaquille O’Neal as Anyone Who’s Not A Freak, Matthew McConaughey as Anyone Smart and Marky Mark Wahlberg’s prosthetic device from Boogie Nights as The Ultimate Force Of Nature.
E-Mail Dave with the issues that get your button hot!

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“People used to love to call me a maverick, because I had a big mouth, and I’d say, ‘That bum!’ or something like that when I was young. Mainly, because I believed it, and I didn’t know there was anybody’s pain connected to the business. I was so young, I didn’t feel any pain. I just thought, ‘Why don’t they do some exciting, venturesome things? Why are they just sitting there, doing these dull pictures that have already been done many, many times, and calling them exciting? That’s a lie — they’re not exciting. Exciting is an experiment… That reputation keeps with you, through the years. Once the press calls you a maverick, it stays in their files. I’ll be dead five years, and they’ll still be saying, ‘That maverick son-of-a-bitch, he’s off in Colorado, making a movie.’ As if they really cared. You know, in this business, it’s all jealousy. I mean, this is the dumbest business I’ve ever seen in my life. If somebody gets married, they say, ‘It’ll never work.’ If somebody gets divorced, they say, ‘Good. I’ll give you my lawyer.’ If somebody loses a job, everyone will call him — to gloat. They’ll discuss it, they’ll be happy, they’ll have parties. I don’t understand how people that can see each other all the time, and be friends, can be so happy about each other’s demise.”
~ John Cassavetes


“There’s a culture of friendship in Latin American cinema, between people like Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro, which they in turn inherited from others. They’re a sensation of brotherhood, that people care abut you, look after you, which we’ve sought to maintain consciously. That ‘brotherhood’ is the best way to survive, to make better films, but it also a way of coming close to the biggest reason to make films. Filmmaking for me is like a fraternal act, like being with your family, and feeling that what we’re doing, when the film is over and makes some impact, is worth it. That intense encounter with all those people flowers, emanates for ever. You’re a kind of cousin, brother, lover, father, son of all those people with whom you worked. It’s a beautiful sensation.”
Gael García Bernal


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